tag:blogger.com,1999:blog-15935189552236869922024-03-13T09:19:59.672-07:00Tango Music For AllBlog for tango dancers and DJs by Konrad Krynski.Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.comBlogger43125tag:blogger.com,1999:blog-1593518955223686992.post-660213434822210192016-02-03T09:15:00.002-08:002016-02-03T09:15:50.203-08:00Good vs. popular DJs<div style="text-align: justify;">
<span lang="EN-GB" style="color: black;">What makes a good DJ?
What makes a popular DJ? Are all popular DJs good? Are all good DJs popular? I
think those are very interesting questions and I will give you my answers to
them. Although it is difficult, I don't want to sound too judgemental in this
post. I will just share my humble view here</span><span lang="SR-CYRL-RS" style="color: black; mso-ansi-language: SR-CYRL-RS;">.</span><span lang="EN-GB" style="color: black;"> :)<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">I think that not all
popular DJs are good. And there are many great DJs that are not popular. In
this text by “popular” I mean being invited to play frequently at quality
events. How is that possible? It does not sound fair and right, does it?<o:p></o:p></span></div>
<br />
<div style="text-align: justify;">
<span lang="EN-GB" style="color: black;">In my opinion there is
only one element that makes a good DJ: the music he or she plays. As simple as
that, nothing else. But there are several elements that make popular DJ. I
would classify them under 3 headings: <strong>music</strong>, <strong>personal aspects </strong>and
<strong>self-advertising</strong>. The music is the most important, but personal aspects are
also very influential. Self-advertising is probably overrated, but also plays a
role. In a more visual way this would look like:<o:p></o:p></span></div>
<br />
<table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; margin: auto auto auto 2.75pt; mso-padding-alt: 2.75pt 2.75pt 2.75pt 2.75pt; mso-table-layout-alt: fixed;">
<tbody>
<tr>
<td style="background-color: transparent; border-color: black rgb(0, 0, 0) black black; border-style: solid none solid solid; border-width: 1pt 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; mso-border-top-alt: solid black .25pt; padding: 2.75pt; width: 147pt;" valign="top" width="196"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span lang="EN-GB" style="color: black;">Influencers<o:p></o:p></span></b></div>
</td>
<td style="background-color: transparent; border-color: black rgb(0, 0, 0) black black; border-style: solid none solid solid; border-width: 1pt 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; mso-border-top-alt: solid black .25pt; padding: 2.75pt; width: 116.25pt;" valign="top" width="155"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span lang="EN-GB" style="color: black;">A good DJ<o:p></o:p></span></b></div>
</td>
<td style="background-color: transparent; border: 1pt solid black; mso-border-alt: solid black .25pt; padding: 2.75pt; width: 128.45pt;" valign="top" width="171"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span lang="EN-GB" style="color: black;">A popular DJ</span></b><span lang="EN-GB"><o:p></o:p></span></div>
</td>
</tr>
<tr>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 147pt;" valign="top" width="196"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">Music <o:p></o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 116.25pt;" valign="top" width="155"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">100%<o:p></o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) black black; border-style: none solid solid; border-width: 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; mso-border-right-alt: solid black .25pt; padding: 2.75pt; width: 128.45pt;" valign="top" width="171"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">50%</span><span lang="EN-GB"><o:p></o:p></span></div>
</td>
</tr>
<tr>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 147pt;" valign="top" width="196"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">Personal aspects<o:p></o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 116.25pt;" valign="top" width="155"><div align="center" class="TableContents" style="-ms-layout-grid-mode: char; margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;"><o:p> </o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) black black; border-style: none solid solid; border-width: 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; mso-border-right-alt: solid black .25pt; padding: 2.75pt; width: 128.45pt;" valign="top" width="171"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">40%</span><span lang="EN-GB"><o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-lastrow: yes;">
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 147pt;" valign="top" width="196"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">Self-advertising<o:p></o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) rgb(0, 0, 0) black black; border-style: none none solid solid; border-width: 0px 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; padding: 2.75pt; width: 116.25pt;" valign="top" width="155"><div align="center" class="TableContents" style="-ms-layout-grid-mode: char; margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;"><o:p> </o:p></span></div>
</td>
<td style="background-color: transparent; border-color: rgb(0, 0, 0) black black; border-style: none solid solid; border-width: 0px 1pt 1pt; mso-border-bottom-alt: solid black .25pt; mso-border-left-alt: solid black .25pt; mso-border-right-alt: solid black .25pt; padding: 2.75pt; width: 128.45pt;" valign="top" width="171"><div align="center" class="TableContents" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="EN-GB" style="color: black;">10%</span><span lang="EN-GB"><o:p></o:p></span></div>
</td>
</tr>
</tbody></table>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">As music that DJs play
is the most important element, it deserves a separate post. I </span><span style="color: black; mso-ansi-language: EN-US;">hope to </span><span lang="EN-GB" style="color: black;">write it soon. :) <o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">You might be surprised but I strongly believe that <b>personal
aspects</b> are almost as important as musical choices when we talk about
reasons of popularity. Those personal aspects are: positive attitude, smile,
physical attractiveness, dancing skills, number of friends, charisma, etc. All
of them are absolutely positive, but don't make anybody's music better.<o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">So why do those elements play such a big role? There are 2
reasons for that. The first one is very obvious: positive, smiling, attractive,
dancing well people with charisma and friends add value to events. They attract
more participants, make events more successful and enjoyable. <o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">In my opinion today's tango world becomes a market, similar
to the one for consumer goods or services. More and more often tango events
become brands with a clear marketing strategy behind. Tango DJs are an
important part of this strategy (e.g. the coolest DJs for the coolest event).<o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">The other reason why personal aspects to a significant
extent make a DJ popular is... organizers' ignorance. Some organizers simply
don't have any clue about music or don't pay enough attention to it. I have
witnessed instances when DJs were invited based on a recommendation of a friend
of a friend of a friend :).<span style="mso-spacerun: yes;"> </span>This is
disrespectful to participants and risky for events' success.<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwNrunIyg9tbMikzy2hlF44vxU7rNK97sj6ivTpDsD7_g3tWKTADJEq-sP7YekNLVIKo7uPwJoX-6VN_Bl811-yeuSoha6iIdIXnaFC2qNaNgo5nm1ScGMYxYzU5q0puikXntO2BnoqemW/s1600/DJ.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwNrunIyg9tbMikzy2hlF44vxU7rNK97sj6ivTpDsD7_g3tWKTADJEq-sP7YekNLVIKo7uPwJoX-6VN_Bl811-yeuSoha6iIdIXnaFC2qNaNgo5nm1ScGMYxYzU5q0puikXntO2BnoqemW/s1600/DJ.png" /></a></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">The last element is <b>self-advertising</b>. Putting it in
a commercial way: a DJ is a service provider and services sell better if they
are advertised. There are 2 ways of advertising: <b>direct</b> (e.g. contacting
organizers and asking them a job) or <b>indirect</b> (e.g. making a lot of fuss
on Facebook, having a Youtube channel or a blog). Hang on... I have Facebook
page, Youtube channel and you are reading my blog. Does it mean I...? :)<o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">I don't have any problem with DJs' self-advertising. What I
don't appreciate is when DJs push themselves (e.g. dancing or being extremely
nice to someone just because he or she is an organizer).<span style="mso-spacerun: yes;"> </span>I'm also a little bit bored with all DJ
social media that don't offer any interesting content, merely advertising (e.g.
FB pages with nothing else but DJing schedule or Youtube channels republishing
songs that have been published many times in the past).<o:p></o:p></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-GB" style="color: black;">To summarise... All 3 elements (music, personal aspects and
self-advertising) do have impact on a DJ's popularity. It is understandable why
the latter 2 factors play a role. At the same time it is very unfortunate that
they are so important. Some really great DJs don't play at events
frequently only because personal aspects and self-advertising are not playing
in their favour. And vice-versa some medium DJs play
often mainly because they are cool, attractive, because they dance well or
advertise a lot. I don't think this is a big issue, but it is important
that tango dancers and organizers aware of it. More awareness in this topic
might mean more conscious choices and better music at events.</span></div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com7tag:blogger.com,1999:blog-1593518955223686992.post-45991630862338396492016-01-22T11:59:00.002-08:002016-01-23T08:08:21.920-08:00Domingo Federico<div style="text-align: left;">
It's been a while since my previous post. Once again I want to give it a try and write more frequently. Let's see how it goes :).<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_4mGj36xudv_gsHiiuceisL21T_vRMS7ADF11jNA6ZC6xieAk4PgnAtjlvbnp-WTNsr1HlyUQv6wckILWMr3w51Dx7yYucylgu2ThcAoJKGBKN-5y3Vl963AHjVSGT1e6A2gi1DFtghEa/s1600/DF2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_4mGj36xudv_gsHiiuceisL21T_vRMS7ADF11jNA6ZC6xieAk4PgnAtjlvbnp-WTNsr1HlyUQv6wckILWMr3w51Dx7yYucylgu2ThcAoJKGBKN-5y3Vl963AHjVSGT1e6A2gi1DFtghEa/s320/DF2.jpg" width="320" /></a></div>
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<div style="text-align: justify;">
I'd like to share with you some words about Domingo Federico. I think his music is amazing and it is not appreciated as much as it should be. In his early years, Domingo became interested in playing violin and bandoneón. His father gave him first classes. After some years, he eventually became a bandeonist. In 1941 Federico joined the famous orchestra of Miguel Caló. In 1943 he formed his own orchestra and started recording one year later.</div>
<div style="text-align: justify;">
<br />
For more detailed biographical and discographical information please go to:<br />
<a href="http://www.todotango.com/english/artists/biography/732/Domingo-Federico/">Todo Tango - Domingo Federico</a><br />
<br />
Most of Federico's songs (especially earlier ones) are melodic and romantic, some of them are dramatic. At the same
time they have a very characteristic pulsing rhythm. I think it is this
very unique combination of melody and rhythm that makes music of Domingo
Federico so special.</div>
<div style="text-align: justify;">
My favourite recordings come from the 1940ies, but there are a few pearls from 1950ies. There are also some recordings from 1968-69, but they are less interesting and I would not play them in milongas.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
The most important singer of the orchestra was Carlos Vidal. He recorded around 30 songs, of which several are masterpieces. It is pretty easy to build a good tanda with those songs: with good ingredients a dish is likely to taste well :).</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
All songs below are with Carlos Vidal:</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=81SjV7UoeGc"><i>Yuyo verde</i>, 1944</a> </div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=laNG8T7LCNU"><i>Yo</i>, 1945</a> </div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=TiLD_Ew2Mn4"><i>Tu Melodía</i>, 1944</a> </div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=EACpjp3C8sM"><i>Para Qué Te Quiero Tanto</i>, 1945</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
And an amazing vals sung by duo Vidal and Oscar Larroca:</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=L8RrUmmFf50"><i>Esa Noche</i>, 1946</a></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Several instrumental songs from 1944-45 are also worth mentioning:</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=mzF-qbsTbr4"><i>Saludos</i>, 1944 (the first recording by the orchestra)</a></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=pKscWIOFkeo"><i>Con El Mayor Gusto</i>, 1944</a></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=CWKxhztxV0U"><i>Honda Tristeza</i>, 1945</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
And some other songs that should be a must in repertoire of each self-respected DJ :). Building those songs in a tanda takes a bit more experience, but give it a go! </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
An absolute hit of many marathons and festivals:</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=tf5zOwVI1Co"><i>Leyenda Gaucha</i>, instrumental, 1952</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Another great song similar to <i>Leyenda Gaucha</i>:</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=UVZzsW7ehkk"><i>El Marajá</i>, instrumental, 1951</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
The only tango recorded with Enzo Valentino: </div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=vE9FXFqO9pI"><i>Cualquier Cosa</i>, 1951</a><br />
But what a tango! </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
A great version of Y <i>Todavía Te Quiero</i> sung by Armando Moreno (the same who was recording with Enrique Rodríguez: </div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=IGL_fP_YWG8"><i>Y Todavía Te Quiero</i>, 1956</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
The most romantic song by Domingo Federico! Sung by Oscar Larroca (the same who will later sing the famous <i>Volvamos A Empezar </i>with Alfredo de Angelis):</div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=xvhRRVMFkv8"><i>María</i>, 1945</a></div>
</div>
<div style="text-align: left;">
</div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com1tag:blogger.com,1999:blog-1593518955223686992.post-45626627460243552322015-03-21T09:21:00.000-07:002015-03-21T09:21:50.338-07:00Miguel Caló with Alberto Podestá<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdh0menj0zhuOYuQ_v5R4FmYDFJ5eGRzUcX_WGis1q5kQzwQ-FyzQLBhHfiFT3EEvOGV8XQAxoUuzV5rIY9LL_qo22PfLic4fsmhVeyB7-k3Jn7ekq2wG20hUMEXJGg2Tr5Y0tFGpi4Cji/s1600/Calo+Podesta+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdh0menj0zhuOYuQ_v5R4FmYDFJ5eGRzUcX_WGis1q5kQzwQ-FyzQLBhHfiFT3EEvOGV8XQAxoUuzV5rIY9LL_qo22PfLic4fsmhVeyB7-k3Jn7ekq2wG20hUMEXJGg2Tr5Y0tFGpi4Cji/s1600/Calo+Podesta+2.jpg" height="200" width="198" /></a></div>
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</div>
<div style="text-align: justify;">
In the previous post I wrote that one of Caló's contributions to tango is discovering great singers Raúl Berón and Alberto Podestá. I'm particularly grateful for the second one, since he is one of my favorite singers.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
I split recordings of Podestá with Caló into early and late ones. Early recordings cover only 4 tangos. In my opinion it is a mixed bag. "Yo Soy El Tango" is very light, almost kitschy. "Percal" is deep and very emotional. The other 2 songs: "Si Tu Quisieras" and "Dos Fracasos" are somewhere in between.<br />
<br />
Alberto recorded those songs under the name of Juan Carlos Morel. Podestá was name after his mother. At that time in Buenos Aires there were some other singers with this name and Alberto wanted to avoid confusion. It was Carlos di Sarli who convinced him to use name Podestá. He said: "Kid, <span class="" id="result_box" lang="en"><span class="hps">from now on</span> <span class="hps">you will be</span> <span class="hps">Alberto</span> <span class="hps">Podestá</span> <span class="hps">and out of all</span> singers <span class="hps">with this surname</span> <span class="hps">only you will endure</span><span class="hps atn">".</span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span class="hps atn"> </span></span><span class="" id="result_box" lang="en"><span class="hps atn"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWFGk1FUY1C72FxJeQ832Qra_1oFysHqm-FXEdWv2UC8qrN6revB0pD9V-x_IAlJjQKaZX8RW6wGPZKtT8ON3HnQcj1nUIect-8qVPc_dXld4zbeNkRMC_pvANwXAXXPHue2HlV3_1vI_B/s1600/apodesta1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWFGk1FUY1C72FxJeQ832Qra_1oFysHqm-FXEdWv2UC8qrN6revB0pD9V-x_IAlJjQKaZX8RW6wGPZKtT8ON3HnQcj1nUIect-8qVPc_dXld4zbeNkRMC_pvANwXAXXPHue2HlV3_1vI_B/s1600/apodesta1.jpg" height="200" width="151" /></a></div>
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<span class="" id="result_box" lang="en"><span class="hps atn">The late recordings cover period from 1954 till 1972, the year when Miguel Caló passed away. Among recordings from this period we will find "Qué Falta Que Me Hacés" - possibly the best tango of all times! This song has everything a great tango should have: beautiful melody, a dose of drama, perfect orchestration, clear & regular rhythm. And let's not forget about the voice of Podestá. </span></span>Sounds like a<span class="" id="result_box" lang="en"><span class="hps atn"> perfect recipe for a hit!</span></span></div>
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<span class="" id="result_box" lang="en"><span class="hps atn">Apart from tangos, Podestá recorded with Caló's orchestra a few very popular valses... I will write about them some other time. Stay tuned :)<b><br /></b></span></span><br />
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<b>Early recordings:</b></div>
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<a href="https://www.youtube.com/watch?v=wvp2Rwhfekk">Percal, Miguel Caló canta Alberto Podestá, 1943</a><br />
<a href="https://www.youtube.com/watch?v=fioDFY52YoM">Yo Soy El Tango, Miguel Caló canta Alberto Podestá, 1941</a><br />
<a href="https://www.youtube.com/watch?v=K_1zNe6ZGAM">Dos Fracasos, Miguel Caló canta Alberto Podestá, 1941</a><br />
<a href="https://www.youtube.com/watch?v=APzh6j6nY2Y">Si Tu Quisieras, Miguel Caló canta Alberto Podesta, 1941</a><br />
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<b>Late recordings:</b><br />
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<a href="https://www.youtube.com/watch?v=OtSnJ26lqsw">Qué falta que me hacés, Miguel Caló canta Alberto Podestá, 1963</a><br />
<a href="https://www.youtube.com/watch?v=4ND2ByUxpfU">Bailan Javier Rodríguez y Geraldine Rojas</a><br />
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<a href="https://www.youtube.com/watch?v=xqwQGPYDDqw">El Bazar De Los Jugetes, Miguel Caló canta Alberto Podestá, 1954</a><br />
<a href="https://www.youtube.com/watch?v=WHJTfDzOJxE">Cómo Le Digo A La Vieja, Miguel Caló canta Alberto Podestá, 1954</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-33275742663377491262015-02-14T03:49:00.001-08:002015-02-15T12:28:57.156-08:00Miguel Caló - Overview<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY78lFahA0Oakl71eodPZKwudfNE6Ix2ONa5AutJ2lKeQsfdTLwPQeUNH5zn-q60i3DmBAbr_XUGS_IqFU2STHGGRMmf5JtT88nd4mkwQ8QUHdsyswc6bBifLdUGgByoDorei0qvvzPoPV/s1600/Calo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY78lFahA0Oakl71eodPZKwudfNE6Ix2ONa5AutJ2lKeQsfdTLwPQeUNH5zn-q60i3DmBAbr_XUGS_IqFU2STHGGRMmf5JtT88nd4mkwQ8QUHdsyswc6bBifLdUGgByoDorei0qvvzPoPV/s1600/Calo.jpg" height="221" width="400" /></a></div>
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Miguel Caló is a name each tanguera and tanguero should be very familiar with. He is best known for his beautiful Golden Age recordings from 1940ies. But that is not all, we should know more...</div>
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Caló started his musical career in mid twenties. In 1926 he joined the orchestra of Osvaldo Fresedo, as a bandoneon player. A year later he joined Francisco Pracánico. His first own orchestra was created in 1929, but the project did not last long. Only 3 years later, in 1932, the second attempt of creating orchestra was successful.<br />
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Miguel Caló should be appreciated for his great musical legacy. Further more, he had another contribution to tango by introducing two greatest singers in the history: Raúl Berón and Alberto Podestá.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSOlONtlMWtyagl1E7DorpK_ZcUJz2U458LO22a9kp-x_hnlKuqtZYVdy3Js9-surzH8BBknBVwxwfucLIRA_5OlYJGiYIffmrQf7HVKHC_w4ksht16TDLa4cevELPmsL6K-7oIr00ygvn/s1600/Calo_Orq3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSOlONtlMWtyagl1E7DorpK_ZcUJz2U458LO22a9kp-x_hnlKuqtZYVdy3Js9-surzH8BBknBVwxwfucLIRA_5OlYJGiYIffmrQf7HVKHC_w4ksht16TDLa4cevELPmsL6K-7oIr00ygvn/s1600/Calo_Orq3.jpg" height="190" width="400" /></a></div>
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To learn about Caló´s music in more systematic way, I suggest to split his work into 3 parts:</div>
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- early recordings (1932-1938)</div>
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- Golden Age recordings (1940ies)</div>
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- late recordings (1950-1972)</div>
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Golden Age recordings are very famous and you will hear them in most milongas. The music from the other two periods is much less known, but also very interesting and worth discovering.</div>
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For more detailed biographical and discographical information please go to:<br />
<a href="http://www.todotango.com/english/creadores/mcalo.html">Todo Tango - Miguel Caló</a><br />
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In the next post I will start with Miguel Caló and Alberto Podestá...</div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-34052547705711285342015-02-09T15:34:00.000-08:002015-02-09T15:34:13.554-08:00European Tangos part 1<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhlnniVBjSc2EGJYrv4isxHFvItTkewBYgltEmdlOATwnbpn2ZTbQvHMq_T6En-Ci6tawC-cCKczebBa9Jqo8vLXVbHICwLgjSqCXTxSNaWBTkKbeLO0CpjgObcj6uLcPI573AUGv5uhxw/s1600/BA+t+E.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhlnniVBjSc2EGJYrv4isxHFvItTkewBYgltEmdlOATwnbpn2ZTbQvHMq_T6En-Ci6tawC-cCKczebBa9Jqo8vLXVbHICwLgjSqCXTxSNaWBTkKbeLO0CpjgObcj6uLcPI573AUGv5uhxw/s1600/BA+t+E.jpg" /></a></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">The opinions on European tangos are very
mixed. Some conservative tangueros don't consider them appropriate for
milongas.</span><span lang="EN-US" style="mso-ansi-language: EN-US;"> Other, more “progressive” dancers and DJs simply love it!</span><span lang="EN-US" style="mso-ansi-language: EN-US;"> A few years ago a festival organizer </span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span lang="EN-US" style="mso-ansi-language: EN-US;">”</span>advised” me not
to play any non-Argentinian music because the dancers don’t appreciate
it. Playing it turned out to be a great success :).</span></div>
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<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span lang="EN-US" style="mso-ansi-language: EN-US;">As usually, </span>I think that </span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span lang="EN-US" style="mso-ansi-language: EN-US;">the best approach is </span>in-between. European tangos should be played in milongas, because they add variety
and make milongas more interesting for the dancers. At the same time those tangos
should not be abused by playing them too often. The dispute between "conservative" and “progressive”
sides is not so important anyways… Vast majority of dancers will probably not realize
that they are hearing and dancing to European music </span><span lang="EN-US" style="font-family: Wingdings; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">:)</span></span><span lang="EN-US" style="mso-ansi-language: EN-US;">.</span></div>
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<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">In this and few other posts I will present you
some of my favorite European orchestras and tangos. Some of them are famous and
popular. Others are unknown, but worth discovering.</span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">The most famous and frequently played European
orchestra is <b>Rafael Canaro</b>. Some time ago I have written a post about him:</span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="http://tangomusic4all.blogspot.com/2012/10/rafael-canaro.html">http://tangomusic4all.blogspot.com/2012/10/rafael-canaro.html</a></span><br />
</div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg72nRahMfhMmfDO9fp31yiCb7Tru7VxDaiQ7nbCdN4p9wc0do4Mr1SMyNqUaTsjMDzi8udsIwy_INYQYi3-Jpxt1rgknSFbVMwq6Vtas2SIDPiPR10NseIcQRzXL7Zx0oRhrCTsDn6O79s/s1600/rafael+canaro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg72nRahMfhMmfDO9fp31yiCb7Tru7VxDaiQ7nbCdN4p9wc0do4Mr1SMyNqUaTsjMDzi8udsIwy_INYQYi3-Jpxt1rgknSFbVMwq6Vtas2SIDPiPR10NseIcQRzXL7Zx0oRhrCTsDn6O79s/s1600/rafael+canaro.jpg" height="320" width="320" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Some of my favorite songs are the following:</span><br />
<br />
<a href="https://www.youtube.com/watch?v=H5la3sh5bIQ" target="_blank">Paciencia, Canta Luis Scalon, 1938</a><br />
<br />
<a href="https://www.youtube.com/watch?v=q-46hAzR8lM&feature=related" target="_blank">Que le importa al mundo, Canta Luis Scalon, 1938</a><br />
<br />
<a href="https://www.youtube.com/watch?v=oFFEWb1xR60" target="_blank">Yo no sé por qué te quiero, Canta Raul Sanders, 1936</a><br />
<br />
<a href="https://www.youtube.com/watch?v=2nHrgBGCYuY&feature=related" target="_blank">Rien que nous deux , Canta Raúl Sanders, 1937 - in French</a><br />
<br />
<a href="https://www.youtube.com/watch?v=C7JAoryhBXI&feature=related" target="_blank">La mélodie de notre adieu, Canta Roger Toussaint, 1936 - in French</a><br />
<br />
<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><b>Jean Auguste Pesenti</b> was a leader of another
orchestra, which I would like to present in this post. Unfortunately, I can’t find any online information about this ensemble. You can find several interesting
recordings below:</span></div>
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<br />
<a href="https://www.youtube.com/watch?v=dRa7iMMQu3M">Duelo Criollo, Jean Auguste Pesenti, 1932</a><br />
<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="https://www.youtube.com/watch?v=O31tVvWHVEM">Poema, Jean Auguste Pesenti canta Nena Sainz, 1932</a></span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="https://www.youtube.com/watch?v=GDWqXsUo2bg">Paris, Paris, Jean Auguste Pesenti canta Nena Sainz, 1933</a> </span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">More to follow in coming posts. Stay tuned :)</span></div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com1tag:blogger.com,1999:blog-1593518955223686992.post-12952340744126163852015-01-25T10:10:00.001-08:002015-02-09T15:40:43.142-08:00Aníbal Troilo with Francisco Fiorentino<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKR816LgknUa8BpiHNBZMbFbNiFfHRXCRNtBaPAQrPcXFVhoHIweh1opUGwlCaglM5yqldLI00u-3g27zRhLE-5hPUxfBqaNW04P7oA2wxAMMIm7nGiwBTLM4W9bEi21rMkQt7_AKXdh-I/s1600/tr11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKR816LgknUa8BpiHNBZMbFbNiFfHRXCRNtBaPAQrPcXFVhoHIweh1opUGwlCaglM5yqldLI00u-3g27zRhLE-5hPUxfBqaNW04P7oA2wxAMMIm7nGiwBTLM4W9bEi21rMkQt7_AKXdh-I/s1600/tr11.jpg" /></a></div>
<br />
If you go to any milonga with traditional music, you will probably hear at least one tanda of Troilo. If you do, there is a high chance that Francisco Fiorentino will be a singer.<br />
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<div style="text-align: justify;">
Francisco Fiorentino started his career as a bandoneonist, not as a vocalist. In 1928 he joined the orchestra of Francisco Canaro. The orchestra leader realized that Fiorentino is a talented singer. Since then, for several years Fiorentino did both playing and singing in orchestras of Juan Carlos Cobián, Roberto Firpo, Pedro Maffia, Juan D'Arienzo, Roberto Zerrillo, Minotto Di Cicco and Francisco Canaro.</div>
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<div style="text-align: justify;">
In 1937 Fiorentino joined the orchestra of Troilo and stayed working with him until 1944. This was the top period in his career. Afterwards, he created his own orchestra lead by Astor Piazzolla, but it did not turn out to be a success. For more detailed biographical and discographical information please go to:</div>
<a href="http://www.todotango.com/creadores/biografia/149/Francisco-Fiorentino/">Todo Tango - Francisco Fiorentino (available only in Spanish)</a><br />
<br />
<div style="text-align: justify;">
I split the recordings of Troilo with Fiorentino into 2 groups: early (from 1941 till 1942) and late (from1942 till 1944). It is much easier to build consistent tanda if you stick to songs from one period only. More experienced DJs can obviously mix them.</div>
<br />
<div style="text-align: justify;">
Songs from early period are very rhythmic and fast (65-70 beats per minute). They are full of syncopations. A tanda of songs from this period will never fail. Both beginners and advanced dancers will enjoy it and the energy in the room will go up! From this period comes the famous recording of <i>En Esta Tarde Gris</i>.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Songs from late period are very melodic and slow (58-65 beats per minute). If played in milonga, some of them can be challenging for less experienced dancers. You can use tanda of recodings from that period after a tanda of milonga, when you want to calm down the dance floor and bring more emotions.</div>
<br />
<b>Song examples:</b><br />
<br />
Early period:<br />
<br />
<a href="https://www.youtube.com/watch?v=0qf4N8cdyes">En Esta Tarde Gris, canta Francisco Fiorentino, 1941</a><br />
<a href="https://www.youtube.com/watch?v=oCnf1diUHIg">Bailan Gaston Torelli y Noelia Hurtado</a><br />
<br />
<a href="https://www.youtube.com/watch?v=Jo7LNN0TxiE">Tinta Roja, canta Francisco Fiorentino, 1941</a><br />
<a href="https://www.youtube.com/watch?v=jkzsuf4tdPQ">Bailan Paulina Cazabon y José Luis Gonzalez</a><br />
<br />
<a href="https://www.youtube.com/watch?v=l8ZOZGQTcdQ">El bulín de la calle Ayacucho, canta Francisco Fiorentino, 1941</a><br />
<a href="https://www.youtube.com/watch?v=_ni4ElIhH1Y">Bailan Javier Rodriguez y Andrea Misse</a><br />
<br />
Late period:<br />
<br />
<a href="https://www.youtube.com/watch?v=ju2kyIRndRE">Malena, canta Francisco Fiorentino, 1942</a><br />
<br />
<a href="https://www.youtube.com/watch?v=klDDvVyVRMc">Cada Vez Que Me Recuerdes, canta Francisco Fiorentino, 1943</a><br />
<br />
<a href="https://www.youtube.com/watch?v=fXEnn36lrMY">Sosiego en la noche, canta Francisco Fiorentino, 1943</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-59583620475284588212015-01-23T11:39:00.001-08:002015-01-25T09:34:53.555-08:00Aníbal Troilo - Overview<br />
<div style="text-align: center;">
<img src="http://i.ytimg.com/vi/g8WWXxvoY-I/maxresdefault.jpg" height="223" id="irc_mi" style="margin-top: 0px;" width="400" /></div>
<br />
<div style="text-align: justify;">
Aníbal Troilo´s orchestra is put by most experienced dancers and DJs in top 4 of the best and most important formations in the history of tango (together with d´Arienzo, di Sarli and Pugliese). I´m actually quite surprised that I have not written about it before. :) I feel that this orchestra is recently becoming more popular and is now "in fashion".</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Troilo formed his first own band in 1938. Before he played with many famous and influential tango musicians: the violinists Juan d'Arienzo, Julio de Caro, Alfredo Gobbi and Elvino Vardaro, the pianist Osvaldo Pugliese, the bandoneonists Ciriacio Ortiz, Juan Maglio, Luis Petrucelli.</div>
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<br /></div>
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Troilo had been recording between 1938 and 1971. The most famous recordings come from the 40ies: instrumentals and those with singers Francisco Fiorentino & Alberto Marino. But there is more to discover. Recordings with singer Floreal Ruíz (1944-1948) are very good and danceable. Some of the instrumentals from the 50ies can be also used in milongas. The rest of the recordings are very interesting, but mostly only for listening.<br />
<br />
The orchestra of Troilo is one of the few that has a large selection of tangos, valses and milongas. Valses are very popular and can be heard frequently in regular milongas, festivals and marathons. Milongas are good and danceable, but for some reason they are not regularly played. As a dancer, I don´t enjoy them much and I don´t use them as a DJ. The floor usually gets pretty empty when you hear them. : <br />
</div>
<div style="text-align: justify;">
If you are a tango DJ or a music collector you should definitely get the 16 CD collection "Obra Completa en RCA". Most of you will need only the first 7 CDs (recordings up to 1948). Later recordings are less interesting from dancing perspective. The covers of those CDs look like the following:<br />
<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7JWsErvlSjczeUKgO-D5If4JOQ3pC09OCBsOtuLRrItwAINjdvzzQg4rCDuUsuWq6HH2a2YFrY9hFI7pWXwxc7uj5PQsaQahbPj65alArW2vAbSed2n7oIEOaoDD_tVbd8fqDlfcyI2bk/s1600/tr1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7JWsErvlSjczeUKgO-D5If4JOQ3pC09OCBsOtuLRrItwAINjdvzzQg4rCDuUsuWq6HH2a2YFrY9hFI7pWXwxc7uj5PQsaQahbPj65alArW2vAbSed2n7oIEOaoDD_tVbd8fqDlfcyI2bk/s1600/tr1.jpg" height="200" width="200" /></a></div>
<div style="text-align: center;">
<br /></div>
<br />
For more detailed biographical and discographical information please go to:<br />
<a href="http://www.todotango.com/english/artists/biography/50/Anibal-Troilo/">Todo Tango - Aníbal Troilo</a><br />
<br />
<div style="text-align: justify;">
In the next post I will start from presenting Troilo´s work with Francisco Fiorentino. As a teaser, you´ll find a few of my favorite songs below...</div>
<br />
<a href="https://www.youtube.com/watch?v=0qf4N8cdyes">En Esta Tarde Gris, canta Francisco Fiorentino, 1941</a><br />
<br />
<a href="https://www.youtube.com/watch?v=Jo7LNN0TxiE">Tinta Roja, canta Francisco Fiorentino, 1941</a><br />
<br />
<a href="https://www.youtube.com/watch?v=q3k9Je5MDBk">Lagrimitas De Mi Corazón, cantan Edmundo Rivero y Floreal Ruiz, 1948</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-12260754807402530212013-11-17T06:31:00.000-08:002015-01-24T10:29:48.771-08:00Orquesta Típica Victor (OTV) - Golden Age recordings<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha61_xPS6UhQGaoAYrR-WKUuV-coxFhqWF5XCaTA6f0DuBAsSgTW-MlUxW4M6NGgeKIkPo0EMgtf-GTQBTgX39BEZLzjz68GhXcxMJ2gLh0Cfc6hW1HzO78BpIsFjL4MPW_bgKCYBjKRsZ/s1600/OTV+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha61_xPS6UhQGaoAYrR-WKUuV-coxFhqWF5XCaTA6f0DuBAsSgTW-MlUxW4M6NGgeKIkPo0EMgtf-GTQBTgX39BEZLzjz68GhXcxMJ2gLh0Cfc6hW1HzO78BpIsFjL4MPW_bgKCYBjKRsZ/s1600/OTV+2.jpg" /></a></div>
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<div style="text-align: justify;">
From its creation Orquesta Típica Victor was recording in Guardia Vieja style. The songs from that period were very simple and rhythmical, all the instruments were playing together - "a la parilla". Some other popular orchestras playing in that style were: Adolfo Carabelli, Sexteto Carlos di Sarli, early Francisco Lomuto and Francisco Canaro. In the middle of 30ies the style changed and Golden Age period started. The music became more sophisticated, melodic and romantic. Also OTV did follow that trend.<br />
<br /></div>
<div style="text-align: justify;">
Songs from that period are probably less known among the dancers than the ones from the Guardia Vieja epoch. I like them a lot, both as a DJ and as a dancer. I'd like you to pay special attention to two of them.<br />
<br />
"Una Vez" is the first one. I think that it is currently the most popular song of OTV from that period. It is truly beautiful, its melody usually brings all the dancers to the dance floor. It happens that some songs become popular in the milongas because of some famous couple's performance video on Youtube. I think "Una Vez" is an example of it. It got much more popular (at least at the milongas I was attending) after Noelia Hurtado and Carlitos Espinoza performed to it (link to the video below).<br />
<br />
By the way: Noelia had also an important contribution to promoting another tango hit - "Invierno" by Francisco Canaro. At that occasion it was still with Pablo Rodríguez.<br />
<br />
Another song to check is "Loca", a song better known from d'Arienzo's repertoire. The version by OTV is pretty much completely unknown. The quality of the recording available is not great and it is not easy to build a consistent tanda with it. I would rather leave playing it during marathons with crowd of experienced dancers. </div>
<br />
<br />
<span style="font-size: large;"><b>Song examples:</b></span><br />
<br />
<a href="http://www.youtube.com/watch?v=33P7CXivsSA">Una Vez, Canta Ortega del Cerro, 1943</a><br />
<a href="http://www.youtube.com/watch?v=oxwBfckHwkg">Bailan Carlitos Espinoza y Noelia Hurtado</a><br />
<a href="http://www.youtube.com/watch?v=046GdKZCm1w">Bailan Murat y Michelle Erdemsel</a><br />
<br />
<a href="http://www.youtube.com/watch?v=oPRNTzjkBV8">Bajo El Cono Azul, Canta Alberto Carol, 1944</a><br />
<a href="http://www.youtube.com/watch?v=7UoEyKy5KMQ">Bailan Anita Monteagudo y Pablo Retamar</a><br />
<br />
<a href="http://www.youtube.com/watch?v=pTOJ0J-GRQ4">Tu Vida Es Mi Vida, Instrumental, 1937</a><br />
<br />
<a href="http://www.youtube.com/watch?v=HuiHLcb73FQ">Mi Taza De Café, Canta Alberto Carol, 1944</a><br />
<br />
<a href="http://www.youtube.com/watch?v=YI_rjvZ3krI">Loca, Instrumental, 1944</a><br />
<br />
<a href="http://www.youtube.com/watch?v=civ-VJ2bbmE">Adios Buenos Aires, Angel Vargas, 1938</a><br />
<a href="http://www.youtube.com/watch?v=oVoEEPR4a0M">Bailan Juan Carlos Martinez y Nora Witanowsky</a><br />
<br />
<a href="http://www.youtube.com/watch?v=1lPHMN2poo0">Desesperanza, Canta Mario Pomar, 1939</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-55492046754210785012013-11-16T04:59:00.000-08:002013-11-17T05:37:29.572-08:00Orquesta Típica Victor (OTV) - Overview<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjza8B_-iQlz1KOcBg2ySiOft0kFatE2caPZ01jP30l6Fo4uf3BRUtD05ysC66VrlNaSnA9RQrPXA9TeLzP2vuE93HH6Xx1hzPMG0jvlDOdz-Y5v4L_H9p8pZmtLOC3tW7dUqpOLRr0ioR3/s1600/OTV.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjza8B_-iQlz1KOcBg2ySiOft0kFatE2caPZ01jP30l6Fo4uf3BRUtD05ysC66VrlNaSnA9RQrPXA9TeLzP2vuE93HH6Xx1hzPMG0jvlDOdz-Y5v4L_H9p8pZmtLOC3tW7dUqpOLRr0ioR3/s400/OTV.gif" width="400" /></a></div>
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<div style="text-align: justify;">
From the beginnings of tango "industry" some of the recording companies were creating their own tango orchestras. Their main purpose was to represent the companies and make recordings. They usually did not perform in public. Example of such orchestras are: Orquesta Típica Brunswick, Orquesta Típica Columbia, Orquesta Típica Select. But by far the most famous one was Orquesta Típica Victor (OTV).</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
The orchestra was created in 1925 and existed until 1944. Throughout its history many of the best tango musicians worked there. Adolfo Carabelli was the first leader of the orchestra. Among other famous names we could find bandoneonists: Luis Petruccelli , Ciriaco Ortiz, Carlos Marcucci, Pedro Laurenz; violinists: Agesilao Ferrazzano, Elvino Vardaro, Antonio Buglione, Cayetano Puglisi. Most of those musicians have created their own orchestras after leaving OTV. Among the most important singers we should list: Roberto Díaz, Carlos Lafuente, Alberto Gómez, Ernesto Famá, Luis Díaz, Ortega del Cerro, Angel Vargas.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Between 1925 and 1937 the orchestra was recording in Guardia Vieja style. Later on it followed trend and moved to the Golden Age style. To read about the difference between those styles please check one of my previous posts: <a href="http://tangomusic4all.blogspot.hu/search/label/Guardia%20Vieja%20vs%20Golden%20Age%20-%20part%201">Guardia Vieja vs Golden Age</a>.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
In the repertoire we will find very wide selection of tangos but also many valses and a few milongas. In my next posts I will write more about them and give many examples...<br />
<br />
For more detailed information please go to:<br />
<a href="http://www.todotango.com/english/creadores/orq_tvictor.asp">Todo Tango - Orquesta Típica Victor</a></div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-59715692798548236312013-03-23T03:48:00.002-07:002013-03-23T03:52:35.737-07:00Guardia Vieja vs Golden Age - part 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1GTtbyY3HEiCUq03fUfv__6vlzDvKnMTwQl3lueF-E6FkJsf8jEe_rIb-A9ybxa_hXORagnEb5tIo0Sp_VKkGG0Bz0kZ-hu2g4zBGCCufizeIF8pKcevcGhkps23xPfxew3MdGmZV17lv/s1600/Guardia+Vieja.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1GTtbyY3HEiCUq03fUfv__6vlzDvKnMTwQl3lueF-E6FkJsf8jEe_rIb-A9ybxa_hXORagnEb5tIo0Sp_VKkGG0Bz0kZ-hu2g4zBGCCufizeIF8pKcevcGhkps23xPfxew3MdGmZV17lv/s200/Guardia+Vieja.jpg" width="200" /></a></div>
<div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSKZ0KCRn5Zvl4SYAVoozyNvU78q-1hEhNvT0dtYw_anTXxPtphQbwiia-9mgr3ru9dV0KIsXkrJGXXkHxyT8fdN6MxkzUI48V5pCcc5yn9_7g12aR3FqYAwcebz1WejezekGPAi7Jyb3R/s1600/Epoca+de+Oro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSKZ0KCRn5Zvl4SYAVoozyNvU78q-1hEhNvT0dtYw_anTXxPtphQbwiia-9mgr3ru9dV0KIsXkrJGXXkHxyT8fdN6MxkzUI48V5pCcc5yn9_7g12aR3FqYAwcebz1WejezekGPAi7Jyb3R/s200/Epoca+de+Oro.jpg" width="200" /></a></div>
<br />
For quite some time already I
wanted to write a post about terms that most of us have heard many
times, but probably we don't always know what exactly they mean. Those
terms are: Guardia Vieja, Guardia Nueva and La Época De Oro. Before
writing more, once again I'd like to highlight that I'm am not an expert
in the history of tango. My knowledge is based on some basic reading, talking to knowledgeable tango friends and mainly on listening!</div>
<div style="text-align: justify;">
<br /></div>
<div id="yui_3_7_2_1_1363465196760_2091" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2090">
<span id="yui_3_7_2_1_1363465196760_2089">While</span> reading
some texts about Guardia Vieja, Guardia Nueva and La Época De Oro, I came
across several different, sometimes contradictory definitions. Some
sources define Guardia Vieja (Old Guard) as the period in the history of
Tango covering the years 1880 - 1920. Then comes Guardia Nueva (New Guard)
and lasts from 1920 till 1960. La Época De Oro (Golden Age) is not
mentioned at all. Even though this classification may be correct, from
our perspective (21st century tango dancers and DJs) it does not seem to
be very logical and useful.</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2093" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2092">
<br /></div>
</div>
<div id="yui_3_7_2_1_1363465196760_2095" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2094">
Another definition cuts the history of tango music in the following way: Guardia
Vieja 1880-1925, Guardia Nueva 1925-1935, La Época De Oro 1935 - 1955.
This categorization is much closer to my heart and seems much more logical.</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2099" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2098">
<br />
And
how do I see it? The period before 1925, was the time when the music we
are dancing today in milongas was being formed. It starts at the end of
the XIX century with "payadores"- folk artists singing <span id="yui_3_7_2_1_1363465196760_2100">accompanied by a</span>
guitar. Later came the trios: a flute, a guitar and a violin. Later the
bandoneon was added. The big revolution came when the piano replaced the guitar (both of them are string instruments). When I check my
collection, I can hear the piano for the first time in recordings of Roberto Firpo's
orchestra from 1919. And this was the moment when the tango music started
reminding the music we all know today. During the next 5-6 years, the music
did evolve further. Together with the music also technology
improved. Around 1925 we are ready! The music has developed
in a way that it is interesting for the dancers and the quality of the recordings
allows us to use it in the milongas.</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2102" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2101">
<br /></div>
</div>
<div id="yui_3_7_2_1_1363465196760_2104" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2103">
So
the period before 1925 is very important in the history of tango, but
it is not that important for us as dancers and DJs. The period between
1925 and 1935 is what I call Guardia Vieja. The music at that time is
rhythmic and fairly simple. Most instruments play together and the same
(a la parilla). The most important orchestras from this period are:
Orquesta Tipica Victor, Adolfo Carabelli, Sexteto Carlos di Sarli and my
favorite Francisco Canaro.</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2106" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2105">
In
1935 we have a big change: Juan d'Arienzo arrives with his new style.
Many of the existing orchestras change their styles (e.g. OTV, Carlos di
Sarli, Fresedo) and other new, great orchestras are formed. This is the best
period in the history of tango music and for that reason it is called
Golden Age. The music becomes much more sophisticated. Instruments
become much more independent (that makes dancing to that music so
interesting, we can choose different instruments to dance to). This
period lasts until approximately 1960. Around that time tango dancing lost its
popularity in Buenos Aires.<span id="yui_3_7_2_1_1363465196760_2107"> This is the moment when </span>dance and music take
different directions. To a big extent this change of direction can be
linked to the genius and great tango musician: Astor Piazzolla. </div>
</div>
<div id="yui_3_7_2_1_1363465196760_2109" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2108">
<br /></div>
</div>
<div id="yui_3_7_2_1_1363465196760_2111" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2110">
So here we are: </div>
</div>
<div id="yui_3_7_2_1_1363465196760_2113" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2112">
- before 1925: music not yet for dancing</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2115" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2114">
- 1925 - 1935: Guardia Vieja period</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2117" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2116">
- 1935 - 1960: Golden Age period</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2119" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2118">
- after 1960: music not for dancing anymore</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2127" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2126">
<br /></div>
</div>
<div id="yui_3_7_2_1_1363465196760_2125" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2124">
Don't
get me wrong. I don't mean that after 1960 there was no music recorded
that can be used in milongas. Myself I do play occasionally some late
d'Arienzo (instrumental, with Valdez or Ramos), late Pugliese (I love A
Evaristo Carriego or La Mariposa), Calo (e.g. Que falta que me haces
with Podesta). But those are rather exceptions.</div>
</div>
<div id="yui_3_7_2_1_1363465196760_2123" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2122">
<br /></div>
</div>
<div id="yui_3_7_2_1_1363465196760_2121" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2120">
In one of the coming posts I will focus more on Guardia Vieja and Golden Age
period. I will share my experience as a dancer and as a DJ. For now check
the song examples below...</div>
</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: large;"><b>Song examples:</b></span></div>
<div style="text-align: justify;">
<b><br /></b></div>
<div style="text-align: justify;">
<b>Before 1925</b></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=sYeVQbWU2DU">Payador - Angel Villoldo, aprox. 1909</a></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=sf93jutWpF4">Payador - Gabino Ezeiza, 1913</a></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=LHLVP9jP8qQ">Trio - Eduardo Arolas, approx. 1915</a></div>
<div style="text-align: justify;">
<a href="https://www.youtube.com/watch?v=iRLJKaGReqA">Trio - Juan Maglio "Pacho", 1912</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>Guardia Vieja (1925-1935)</b><br />
<a href="http://www.youtube.com/watch?v=osONY1VRZQs">La guinada, Orquesta <b>Adolfo Carabelli</b>, Instrumental</a><br />
<a href="http://www.youtube.com/watch?v=zRd_tYGKODE">Ventarrón, <b>Orquesta Típica Victor</b>, Canta Alberto Gómez, 1933</a><br />
<a href="http://www.youtube.com/watch?v=p5_YuCh8j78">Pipermint, Orquesta <b>Francisco Canaro</b>, Instrumental, 1931</a><br />
<a href="http://www.youtube.com/watch?v=AbgrpIm7Xn4">Chau Pinela, Orquesta <b>Carlos di Sarli</b> (sexteto), Canta Ernesto Famá, 1930</a><br />
<a href="http://www.youtube.com/watch?v=IgiuqAoTqWs">Rosa Poneme Una Ventosa, Orquesta <b>Edgardo Donato</b>, Canta Hugo del Carril, 1935</a><br />
<a href="http://www.youtube.com/watch?v=hmSj7z4QN1c">Tinta Verde, Orquesta <b>Osvaldo Fresedo</b>, Instrumental, 1927</a> </div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=pH1YPlAm7bY">Estoy Penando, <b>Orquesta Típica Brunswick</b>, Instrumental, 1931</a><br />
<br /></div>
<div style="text-align: justify;">
<b>Golden Age (1935-1960)</b></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=LRitcUUa_Fs">Rie Payaso, Orquesta <b>Juan d'Arienzo</b>, Canta Carlos Casares, 1940</a><br />
<a href="http://www.youtube.com/watch?v=lwnCAoG6cpI">Tus Palabras Y La Noche, Orquesta <b>Carlos di Sarli</b>, Canta Oscar Serpa, 1954</a><br />
<a href="http://www.youtube.com/watch?v=24_b3F_lYGA">Un Crimen, Orquesta <b>Miguel Caló</b>, Canta Raúl Berón, 1942</a><br />
<a href="http://www.youtube.com/watch?v=CGJfXl-Pv44">Café Dominguez, Orquesta <b>Angel d'Agostino</b>, Instrumental with intro by Julián Centeya, 1955</a><br />
<a href="http://www.youtube.com/watch?v=0qf4N8cdyes">En Esta Tarde Gris, Orquesta <b>Aníbal Troilo</b>, Canta Francisco Fiorentino, 1941</a><br />
<a href="http://www.youtube.com/watch?v=V66-Lg59rRU">Sangre De Mi Sangre, Orquesta <b>Rodolfo Biagi</b>, Canta Hugo Duval, 1954</a><br />
<a href="http://www.youtube.com/watch?v=A5g4qs49s5s">Tupungatina, Orquesta <b>Osvaldo Pugliese</b>, Instrumental, 1952</a><br />
<a href="http://www.youtube.com/watch?v=KrBDaPWGTK4">Nieblas De Riachuelo, Orquesta <b>Osvaldo Fresedo</b>, Canta Roberto Ray, 1937</a><br />
<a href="http://www.youtube.com/watch?v=49x2bM1XHwQ">Alhucena, Orquesta <b>Lucio Demare</b>, Canta Horacio Quintana, 1944</a><br />
<br /></div>
<div style="text-align: justify;">
<b>After 1960</b><br />
<div id="yui_3_7_2_1_1363465196760_2123" style="text-align: justify;">
<div id="yui_3_7_2_1_1363465196760_2122">
<a href="http://www.youtube.com/watch?v=pjBIKeIPovo">Este Es El Rey, Orquesta <b>Juan d'Arienzo</b>, Instrumental, 1971</a><br />
<a href="http://www.youtube.com/watch?v=qihae-0CXeY">La Mariposa, Orquesta <b>Osvaldo Pugliese</b>, Instrumental, 1966</a> </div>
</div>
<br /></div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com2tag:blogger.com,1999:blog-1593518955223686992.post-42201710765053681312013-03-06T09:45:00.004-08:002015-01-24T10:29:01.856-08:00Edgardo Donato - Milongas<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ05rL0KpB5H0a5GyVym2Jaco0atwR3Gmx93p1R30LhJ9GeqRkpPBM-Tqj8NDqTc0ph0MtpWVW5YTDHfGYspnNgwAqyHbT7aGuBnskg3zgA37rtzrozhdZYibjHU4k2PLmsnrWFRa7F-Qi/s1600/Donato.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ05rL0KpB5H0a5GyVym2Jaco0atwR3Gmx93p1R30LhJ9GeqRkpPBM-Tqj8NDqTc0ph0MtpWVW5YTDHfGYspnNgwAqyHbT7aGuBnskg3zgA37rtzrozhdZYibjHU4k2PLmsnrWFRa7F-Qi/s320/Donato.jpg" height="320" width="312" /></a></div>
<br />
<div style="text-align: justify;">
In <span id="yui_3_7_2_1_1363353877892_2081">my</span> previous post I have written a little bit about the theory of
the milongas and one possible way of categorizing them. Now it's time to get
more into practice:). I'm quite sure that Donato's milongas are in the top
3 most frequently played milongas in Europe (with Canaro and
d'Arienzo). The songs have a very warm and soft tone, which has probably
quite a lot to do with the voice of Horacio Lagos and the use of the
accordion.</div>
<div style="text-align: justify;">
<br />
The milongas of Donato are very playful and one never gets bored with
them. Every time I hear them, I immediately look for a partner to dance. While dancing, I always smile :). Very often I add some spice to the
dance by doing some "extras" (e.g. special pause, change of level,
etc...) - <span id="yui_3_7_2_1_1363353877892_2094">The music provides lots of opportunities to do them</span>. Very often
experienced followers who know the music well, expect those "extras" and
to surprise them.... I don't do anything. It's a great game to play!<br />
<br /></div>
<div style="text-align: justify;">
<span id="yui_3_7_2_1_1363353877892_2099">Amongst</span> the songs you'll find quite a big variety in terms of speed. The
slowest songs (El Torito, Papas Calientes or El Lengue) start with 80
bps. The medium speed songs are the most famous and popular ones (e.g. Ella
Es Así or Porteña Linda). The fastest songs have really great energy:
the most famous is surely La Milonga Que Faltaba.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Enjoy listening and .... dancing :)</div>
<br />
<br />
<span style="font-size: large;"><b>Song examples:</b></span><br />
<br />
<b>Slow milongas:</b><br />
<a href="http://www.youtube.com/watch?v=6C6coIrcgT4">El Torito, Instrumental , 1939</a><br />
<a href="http://www.youtube.com/watch?v=Q84zso8Vogs">Papas Calientes, Instrumental, 1937</a><br />
<a href="http://www.youtube.com/watch?v=RMUKaPoeFf0">El Lengue, Instrumental , 1940</a><br />
<br />
<b>Medium speed milongas:</b><br />
<a href="http://www.youtube.com/watch?v=VSIdJtXcAF4">De Punta A Punta, Canta Horacio Lagos, 1939</a><br />
<a href="http://www.youtube.com/watch?v=51VqIfYhk6Q">Ella Es Así, Canta Horacio Lagos, 1938</a><br />
<a href="http://www.youtube.com/watch?v=S_qlAceX-g0">Porteña Linda, Canta Horacio Lagos, 1940</a><br />
<a href="http://www.youtube.com/watch?v=jcsXJPoVM5Q">Sácale Punta, Canta Horacio Lagos, Randona, 1938</a><br />
<br />
<b>Fast milongas:</b><br />
<a href="http://www.youtube.com/watch?v=61udbE9wz_I">Campo Afuera, Canta Horacio Lagos, 1940</a><br />
<a href="http://www.youtube.com/watch?v=FOQ4qCLJJRM">Milonga Que Faltaba, Canta Horacio Lagos, 1938, Baila Loukas Balokas - Georgia Priskou</a><br />
<a href="http://www.youtube.com/watch?v=zbEtr_8vfRk">Repique Del Corazón, Cantan Horacio Lagos, Romeo Gavio, 1941</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-28144813319740347832013-01-27T08:53:00.002-08:002013-03-15T06:29:35.614-07:00MILONGAS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzupzm7Zoa7ToFYnXhcbTg5IqtwIR03tz7BpyDHswuS9-aVJVn2vc972rYnksPGuHjyWlx72eJLfgB0QHMBWOIQb760_G4w2vNKiYRX5Htvd8IT5BDMIy0IVWt38l0uVs7TQ-sL-nYHa3J/s1600/La+vida+es+una+milonga.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzupzm7Zoa7ToFYnXhcbTg5IqtwIR03tz7BpyDHswuS9-aVJVn2vc972rYnksPGuHjyWlx72eJLfgB0QHMBWOIQb760_G4w2vNKiYRX5Htvd8IT5BDMIy0IVWt38l0uVs7TQ-sL-nYHa3J/s320/La+vida+es+una+milonga.jpg" width="320" /></a></div>
<br />
<div style="text-align: justify;">
It has been a while since my last publication in this blog. The last
weeks have been very busy but now the time has come to start writing again!
Originally, I was going to write a post about the milongas of Edgardo Donato.
When I thought about the introduction, I realized that the topic can be
interesting enough for a stand-alone post. So here it comes... Donato's
milongas will follow very soon.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
It is always very difficult to make any classification of the tango music.
Any "label-putting" carries some risks (there are always some
exceptions, we simplify the topic too much, etc...). But still I believe
it is wise to classify <span id="yui_3_7_2_1_1363353877892_2486">the</span> music, as it helps us understand the basics and
learn more about it. So here comes my classification of milongas... I
split them into the following groups:</div>
<div style="text-align: justify;">
<br /></div>
<b>1) Guardia Vieja style milongas</b><br />
<b>2) Milongas of d'Arienzo</b><br />
<b>3) Golden Age milongas</b><br />
<br />
This split might seem very simplistic to many of you. But there's quite
some logic behind it and many implications for both dancing and DJ-ing.<br />
<br />
<br />
<div style="text-align: justify;">
<b>1) Guardia Vieja style milongas</b> are the oldest ones. The first song I use while DJ-ing dates back to 1932 (Milonga Sentimental of Adolfo Carabelli). The milongas in this group are very light and playful. In general they are very easy to dance (especially the slow ones). They are perfect for all events and dancers of all levels should appreciate them. In this category we will find the milongas of:</div>
<ul>
<li>Francisco Canaro (from 1930ies)</li>
<li>Edgardo Donato</li>
<li>Francisco Lomuto (most of them are really fast)</li>
<li>Orquesta Típica Victor (there are only 2 frequently played songs)</li>
</ul>
<br />
<ul>
</ul>
<div style="text-align: justify;">
<b>2) Milongas of d'Arienzo.</b> You might be surprised why I put the
milongas of one orchestra in a separate category. I think those songs
are distinctive enough to treat them separately. They are less playful
than the previous ones. The rhythm is dominant, they are very
dynamic. One could even say that they are a bit "aggressive". They are
relatively difficult to dance.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>3) Golden Age milongas.</b> <span id="yui_3_7_2_1_1363353877892_2542">In</span> the beginning of 1940ies the tango
music changes significantly. This change did not spare milongas. After the
playful and rhythmical milongas of the 1930ies, the milongas of the 1940ies become much
more melodic. This is the main characteristic of this period. In some
songs the rhythm is hardly present (e.g. Zorzal by di Sarli). Those
songs are generally sophisticated, very difficult to dance and <span id="yui_3_7_2_1_1363353877892_2543">mainly</span>
advanced dancers appreciate them. In this category we will find
milongas of many orchestras. E.g.:</div>
<div style="text-align: justify;">
</div>
<ul>
<li>Angel d'Agostino</li>
<li>Aníbal Troilo </li>
<li>Carlos di Sarli</li>
<li>Miguel Caló</li>
<li>Pedro Laurenz</li>
<li>Ricardo Tanturi</li>
<li>Rodolfo Biagi </li>
</ul>
<div style="text-align: justify;">
Many dancers don't appreciate milongas from this category. I have heard
several times comments <span id="yui_3_7_2_1_1363353877892_2548">such as</span>: "this is bad, not danceable music" -
that's obviously not the case. As a dancer, I'm not a big fan of Golden
Age milongas, but I appreciate them and I know that it is valuable and
important music (even if it is less playful and more difficult to
dance). I think it would be great if the dancers knew tango music
history and its evolution <span id="yui_3_7_2_1_1363353877892_2547">a little better</span>. This would help them to understand and
appreciate good tango music, despite their personal preference and
dancing level.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>Song examples:</b></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>1) Guardia Vieja style:</b></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=MX_PndMMNWo" target="_blank">Ella es asi, Orchestra Edgardo Donato, Canta Horacio Lagos, 1938</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=jcsXJPoVM5Q" target="_blank">Sácale Punta, Orquesta Edgardo Donato, Canta Horacio Lagos, 1938</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=TBaVYv4ekB0" target="_blank">Milonga Sentimental, Orquesta Francisco Canaro, Canta Ernesto Fam<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">á</span>, 1933</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=ma6DxaNS6Tc" target="_blank">Reliquias Porteñas, Orquesta Francisco Canaro, Instrumental, 1938</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=oIs73rJxJI8" target="_blank">Cacareando, Orquesta Típica Victor, Canta Carlos Lafuente, 1933</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=eyKhkxC4R6w" target="_blank">Que Tiempo Aquel, Orquesta Francisco Lomuto, Canta Jorge Omar, 1938</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>2) Milongas of d'Arienzo:</b></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=Lox5ZaiI9aY" target="_blank">La Cicatriz, Orquesta Juan d'Arienzo, Canta Alberto Echagüe, 1939</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=pVk3FsgWXlo" target="_blank">Estampa De Varón, Orquestra Juan d'Arienzo, Canta Alberto Echagüe, 1938</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=Qn29FNa2cG4" target="_blank">De Ataño, Orquesta Juan d'Arienzo, Canta Alberto Echagüe, 1939</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>3) Golden Age Milongas:</b></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=jKvM3P0iNSs" target="_blank">El Porteñito, Orquesta Angel d'Agostino, Canta Angel Vargas, 1943</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=B7dp8T-MDF8" target="_blank">Con Toda Voz Que Tengo, Orquesta Aníbal Troilo, Canta Francisco Fiorentino, 1941</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=oMryLzqDfCM" target="_blank">Zorzal, Orquesta Carlos di Sarli, Canta Roberto Rufino, 1941</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=XWPOgdMyhck" target="_blank">Milonga Que Peina Canas, Orquesta Miguel Caló, Canta Raul Berón, 1942</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=X0MdL97msSE" target="_blank">Milonga De Mis Amores, Orquesta Pedro Laurenz, Instrumental, 1944</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=045I88xUGGs" target="_blank">Asi Es La Milonga, Orquesta Ricardo Tanturi, Canta Roberto Castillo, 1942</a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=yKVXWukZW9w" target="_blank">Flor De Monserrat / Pobre Negrito, Orquesta Rodolfo Biagi, Canta Alberto Amor, 1945</a></div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com2tag:blogger.com,1999:blog-1593518955223686992.post-13375870765313657052012-12-01T19:39:00.002-08:002013-03-11T14:11:49.442-07:00Tango DJ interviews<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqUif7yZIcYXNx8-xY_vM7ClnJZo4rcsQhyI3SYfbRBKIi1rDqgQg6ZbdsiEiJHUJxesk1rJZFG-ss6azL4FMmegVjyyqjpZH6UTdPtL1AUbjtunA_C9mWjQBMY51sbxMldDmdLe2y0zCR/s1600/interview.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqUif7yZIcYXNx8-xY_vM7ClnJZo4rcsQhyI3SYfbRBKIi1rDqgQg6ZbdsiEiJHUJxesk1rJZFG-ss6azL4FMmegVjyyqjpZH6UTdPtL1AUbjtunA_C9mWjQBMY51sbxMldDmdLe2y0zCR/s320/interview.gif" width="320" /></a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Today I have decided to write a post that will be completely different from the others. A few months ago SuperSabino, a great and popular DJ from Italy, came up with a very interesting initiative. He started interviewing tango DJs and the text of the interviews can be found at his blog:</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<a href="http://supersabinotango.blogspot.hu/" target="_blank">http://supersabinotango.blogspot.hu/</a><br />
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Please visit the blog and read as much as you can. You will really find valuable comments that are interesting not only for tango DJs, but also for all the dancers.</div>
<br />
I have been one of the interviewed DJs. If you are interested in reading my interview, you can check the following link:<br />
<br />
<a href="http://supersabinotango.blogspot.hu/2012/10/konrad-krynski-i-think-that-in-every.html" target="_blank">http://supersabinotango.blogspot.hu/2012/10/konrad-krynski-i-think-that-in-every.html</a><br />
<br />
All the DJs got the same set of questions. Four in particular attracted my attention :<br />
<br />
1) Three orchestras that can not miss in one evening?<br />
2) Your three favorite orchestras, which may also be different from the previous ones?<br />
3) What are the three bands or singers you can not stand?<br />
4) What is the band most underrated by the general public and which is the most overrated?<br />
<br />
<div style="text-align: justify;">
<div id="yui_3_7_2_1_1363034584579_8373" style="text-align: justify;">
At the moment there are 28 interviews available. The DJs are from
Argentina and Europe (mainly Italy, but many other countries are
represented as well). I thought it could be interesting to put the ideas
of those DJs together and see what is the outcome... So here are the results of my small analysis.</div>
</div>
<br />
The question 1 and 2 were answered in<span id="yui_3_7_2_1_1363034584579_8387"> the</span> following way:<br />
<br />
<br />
<table border="0" cellpadding="0" cellspacing="0" style="width: 411px;"><colgroup><col style="mso-width-alt: 3766; mso-width-source: userset; width: 77pt;" width="103"></col>
<col span="2" style="mso-width-alt: 5632; mso-width-source: userset; width: 116pt;" width="154"></col>
</colgroup><tbody>
<tr height="82" style="height: 61.5pt; mso-height-source: userset;">
<td class="xl66" height="82" style="height: 61.5pt; width: 77pt;" width="103"></td>
<td class="xl71" style="width: 116pt;" width="154">Question 1</td>
<td class="xl72" style="width: 116pt;" width="154">Question 2</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">D'Arienzo</td>
<td align="right" class="xl67" style="border-left: none;">89%</td>
<td align="right" class="xl68">57%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Di Sarli</td>
<td align="right" class="xl67" style="border-left: none;">89%</td>
<td align="right" class="xl68">54%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Troilo</td>
<td align="right" class="xl67" style="border-left: none;">39%</td>
<td align="right" class="xl68">25%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Canaro</td>
<td align="right" class="xl67" style="border-left: none;">21%</td>
<td align="right" class="xl68">32%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Biagi</td>
<td align="right" class="xl67" style="border-left: none;">21%</td>
<td align="right" class="xl68">25%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Pugliese</td>
<td align="right" class="xl67" style="border-left: none;">21%</td>
<td align="right" class="xl68">50%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Fresedo</td>
<td align="right" class="xl67" style="border-left: none;">18%</td>
<td align="right" class="xl68">29%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Calo</td>
<td align="right" class="xl67" style="border-left: none;">4%</td>
<td align="right" class="xl68">11%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">D'Agostino</td>
<td align="right" class="xl67" style="border-left: none;">4%</td>
<td align="right" class="xl68">4%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Tanturi</td>
<td align="right" class="xl67" style="border-left: none;">4%</td>
<td align="right" class="xl68">7%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Laurenz</td>
<td align="right" class="xl67" style="border-left: none;">4%</td>
<td align="right" class="xl68">14%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Demare</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">4%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Lomuto</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">7%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Garcia</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">4%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">OTV</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">4%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Varela</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">4%</td>
</tr>
<tr height="28" style="height: 21.0pt;">
<td class="xl65" height="28" style="height: 21.0pt; width: 77pt;" width="103">Rodriguez</td>
<td align="right" class="xl67" style="border-left: none;">0%</td>
<td align="right" class="xl68">7%</td>
</tr>
<tr height="29" style="height: 21.75pt;">
<td class="xl64" height="29" style="height: 21.75pt; width: 77pt;" width="103">Piazzolla</td>
<td align="right" class="xl69" style="border-left: none;">0%</td>
<td align="right" class="xl70">4%</td>
</tr>
</tbody></table>
<br />
<br />
<div style="text-align: justify;">
Pretty much all DJs agree that d'Arienzo and di Sarli are by far the
most important orchestras. There are 7 orchestras that clearly come
ahead, when talking about must-have-in-milongas <span id="yui_3_7_2_1_1363034584579_8306">music</span>.</div>
<br />
<div style="text-align: justify;">
There is quite a big difference between personal preferences of the DJs
(question 2) and what they think should be played in milongas
(question 1). It terms of personal preference, Pugliese is much more
appreciated, <span id="yui_3_7_2_1_1363034584579_8314">whereas</span> d'Arienzo and di Sarli are appreciated a bit less, but they
are still on the top of the ranking.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
When asked about orchestras and singers that the DJ's "can't stand" the
first comment in many cases was that "can't stand" is "maybe too much".
But still there were some names given...The "winner" in this category
is.... Alfredo de Angelis - 10 DJs mentioned they don't like him (either
in general or some particular parts of his recordings). I'm not a big
fan of de Angelis myself and actually I have been challenged about it by
some readers of my blog.. It looks like I'm not alone in my preferences:). The second place in "the least appreciated" category went to....
Héctor Varela. His name was mentioned by 7 DJs (surprisingly I´m not a
big fan of Varela either :). The third place went to Enrique Rodriguez
with 2 votes only... Other orchestras mentioned (by 1 DJ each) were
Firpo, Villasboas, Francini-Pontier, Malerba, OTV, Sassone.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Concerning<span id="yui_3_7_2_1_1363034584579_8323"> the over and under rated</span> orchestras: There isn't a common
agreement on this topic. Troilo and Pugliese seem to be underrated in the
opinion of DJ 7 and 4 respectively. Overrated orchestras: Varela (no
surprice - 5 DJs) and Canaro (5 DJs). Those were the only frequently
repeating answers. Quite many DJs say that some "older" orchestras
(Canaro, Donato, Orquesta Tipica Victor) are overrated and too
frequently played, in Europe in particular.</div>
<br />
<div style="text-align: justify;">
I think that if we put the comments of those 28 DJs together we will gain a huge amount of tango knowledge and experience. Those people come from
different countries, are of different age and have different tango
background. However, they have similar preferences and tastes.
I think that the results is <span id="yui_3_7_2_1_1363034584579_8337">an indicator of</span> what is good, valuable tango music and also what is less important and not that good. </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
This does not absolutely mean that we need to go against our personal
preferences! If one loves and gets inspired by the music of de Angelis
and Varela - that's great! The most important is to enjoy the dance and
feel the music deep inside.</div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com2tag:blogger.com,1999:blog-1593518955223686992.post-80758916739493349212012-11-21T12:28:00.003-08:002015-01-24T10:30:22.526-08:00Héctor Varela<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Ig0oLzWEfpv3IX60yim6xV4K79yeLKCHMviGnFnQkewRhWqIPdvinInaz2OV_7zNZCrQraLgAArhAXh_Q7upROGDS_xMMy27vXm1dC9vYZv-G9VLL2We4ptOwM1rBVXR6DsXQ0e08tg0/s1600/hvarela.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Ig0oLzWEfpv3IX60yim6xV4K79yeLKCHMviGnFnQkewRhWqIPdvinInaz2OV_7zNZCrQraLgAArhAXh_Q7upROGDS_xMMy27vXm1dC9vYZv-G9VLL2We4ptOwM1rBVXR6DsXQ0e08tg0/s1600/hvarela.jpg" /></a></div>
<br />
<br />
Orchestra: <b>Héctor Varela</b><b style="mso-bidi-font-weight: normal;"></b><br />
<br />
<div class="MsoNormal">
Singers: <b style="mso-bidi-font-weight: normal;">Jorge Falcón, Argentino Ledesma, Rodolfo Lesica, Fernando Soler, Armando Laborde, Instrumental</b><br />
<br />
Period: <b style="mso-bidi-font-weight: normal;">1950–1979</b></div>
<br />
<div style="text-align: justify;">
Héctor Varela has recorded a few hundreds of songs, but only very few titles (10-12) are known to the wider tango audience. Between 1939 and1949 Varela played in d'Arienzo's orchestra, so there's no surprise that his own orchestra was playing very rhythmically. At the same time many songs are dramatic and the singers are very prominent.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
I really like Varela's milongas. They are quite difficult to dance, but their energy and humor (e.g. in case of Hazme Cu-Cu) are great! Several valses are very good and it is worth listening to them.</div>
<div style="text-align: justify;">
<br />
<br /></div>
<div style="text-align: justify;">
DJ Comment</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
I think Héctor Varela is an example of "tango fashion". He became very popular some years ago. One could hear a tanda of his music at every big festival. I feel that recently he is becoming a bit less popular, giving space to some other "in-fashion" orchestras (like currently Donato Racciatti).<br />
<br />
I am not the biggest fan of Varela's music. But I know that many dancers love it, so I play it occasionally. If I do it, it's normally in a bigger place with high number of tangueros. In my opinion this music is <span id="yui_3_7_2_1_1363034584579_8282">not appropriate for</span> small, local milongas. If you play a tanda of Varela you may increase the volume a bit, so that people feel more energy and get carried away...<br />
<br />
Song examples:</div>
<br />
TANGOS<br />
<br />
<a href="http://www.youtube.com/watch?v=doRyW6GcII0" target="_blank">Fueron tres años, Canta Argentino Ledesma, 1956</a><br />
<a href="http://www.youtube.com/watch?v=ttG20hxJimI&feature=related" target="_blank">Bailan Fabian Peralta - Lorena Ermocida</a><br />
<a href="http://www.youtube.com/watch?v=fnMLuORdsNs" target="_blank">Diego Riemer - Mariana Dragone</a><br />
<br />
<a href="https://www.youtube.com/watch?v=wBmAN1-Hf84" target="_blank">Fumando Espero, Canta Argentino Ledesma, 1955</a><br />
<br />
<a href="http://www.youtube.com/watch?v=7DZh0qe4IPw" target="_blank">Muchacha, Canta Argentino Ledesma, 1956</a><br />
<br />
<a href="http://www.youtube.com/watch?v=cBX7l7mHP_0" target="_blank">Qué Tarde Que Has Venido, Canta Argentino Ledesma, 1956</a><br />
<br />
VALSES<br />
<br />
<a href="http://www.youtube.com/watch?v=hFzHeZRh9SE" target="_blank">Una Lagrimita, Canta Jorge Falcón, 1973</a><br />
<br />
<a href="http://www.youtube.com/watch?v=e-HNzgAwoww" target="_blank">Igual Que Dos Palomas, Cantan Argentino Ledesma, Rodolfo Lesica, 1953, Bailan Sebastian Jimenez Maria Ines Bogado</a><br />
<br />
<a href="http://www.youtube.com/watch?v=Jouf8wJldqA&feature=related" target="_blank">Gota de lluvia, Cantan Argentino Ledesma, Rodolfo Lesica, 1956, Bailan Sebastian Arce Mariana Montes</a><br />
<br />
MILONGAS<br />
<br />
<a href="https://www.youtube.com/watch?v=IpD7Eo1ye-c" target="_blank">Con Flauta Y Guitarra, Cantan Jorge Falcón, Fernando Soler, 1973</a><br />
<a href="https://www.youtube.com/watch?v=vAjSE004rRY" target="_blank">Con Flauta Y Guitarra, Cantan Armando Laborde, Rodolfo Lesica, 1973</a><br />
<a href="https://www.youtube.com/watch?v=RJsGWBD8qNw" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<br />
<a href="https://www.youtube.com/watch?v=S5fqhi6y1-4" target="_blank">Haceme Cu-Cú, Cantan Jorge Falcón, Fernando Soler, 1973</a><br />
<br />
<a href="https://www.youtube.com/watch?v=52CulNevUxc" target="_blank">Azúcar, Pimienta Y Sal, Cantan Jorge Falcón, Fernando Soler, 1973</a><br />
<br />
<a href="https://www.youtube.com/watch?v=RxA3HyIAi5Q" target="_blank">Silueta Porteña, Canta Argentino Ledesma, 1956</a><br />
<br />Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-31862464890795030732012-10-28T09:32:00.000-07:002015-01-24T10:28:34.626-08:00Rodolfo Biagi - Valses<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.terra-melodica.de/images/product_images/info_images/2046_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://www.terra-melodica.de/images/product_images/info_images/2046_0.jpg" height="300" id="il_fi" style="padding-bottom: 8px; padding-right: 8px; padding-top: 8px;" width="300" /></a></div>
<br />
Orchestra: <b>Rodolfo Biagi</b><b style="mso-bidi-font-weight: normal;"></b><br />
<br />
<div class="MsoNormal" style="color: black;">
Singers:<b> Alberto Amor, Andres Falgas, Jorge Ortiz, Teófilo Ibáñez, Hugo Duval, Instrumental </b></div>
<div class="MsoNormal" style="color: black;">
<br /></div>
<div class="MsoNormal" style="color: black;">
Period: <b style="mso-bidi-font-weight: normal;">1938–1956</b><br />
<br />
<div style="text-align: justify;">
Biagi is very highly ranked when it comes to his selection of valses. They are amongst my favorites. The variety of songs i<span style="color: red;"><span style="color: black;">s quite high and </span></span>many recordings are available on CDs (aprox. 22 ). We will find faster ones (in general recorded between 1938-1939) and slower ones (mostly later recordings). All of them have a very clear rhythm, but several songs (e.g. Paloma) are more melodic and softer than others.</div>
</div>
<br />
<br />
DJ comment<br />
<div style="text-align: justify;">
You don’t risk anything by playing a tanda of Biagi valses in any milonga. They always work very well. The quality of the recordings is consistently very good which makes building tandas easier. For me most of the songs are great and I am happy to hear any of them. </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Song examples:<br />
<br /></div>
<div style="text-align: justify;">
</div>
<a href="http://www.youtube.com/watch?v=44ILXhjW-4Q&feature=related" target="_blank">La Loca de Amor, Canta Teófilo Ibáñez, 1938</a><br />
<br />
<a href="http://www.youtube.com/watch?v=wO1ZDhP5JnA&feature=related" target="_blank">Amor y vals, Canta Alberto Lago, 1942</a><br />
<a href="http://www.youtube.com/watch?v=8fMTR94pg-I" target="_blank">Bailan Chicho - Juana</a><br />
<a href="http://www.youtube.com/watch?v=kz18GytiZt8" target="_blank">Bailan Claudio Forte - Barbara Carpino</a><br />
<a href="http://www.youtube.com/watch?v=OhYR9q0auz4" target="_blank">Bailan Mario Consiglieri - Anabella Diaz Hojman</a><br />
<br />
<a href="http://www.youtube.com/watch?v=SqWrm86FEKM&feature=related" target="_blank">Cuatro Palabras, Canta Jorge Ortiz, 1941</a><br />
<a href="http://www.youtube.com/watch?v=jr8xeE_Ii-0" target="_blank">Bailan Fausto Carpino - Stephanie Fesneau</a><br />
<a href="http://www.youtube.com/watch?v=rJcCGmyovKI" target="_blank">Bailan Alejandro Berón - Verónica Vazquez</a><br />
<a href="http://www.youtube.com/watch?v=rpjlCvBIFD8" target="_blank">Bailan Jaimes Freidgen - Mariana Dragone</a><br />
<br />
<a href="http://www.youtube.com/watch?v=_lo8iQ2QHWc" target="_blank">Lágrimas y Sonrisas, Instrumental, 1941</a><br />
<br />
<a href="http://www.youtube.com/watch?v=-30Xy_0aobk&feature=relmfu" target="_blank">Paloma, Canta Alberto Amor, 1945</a><br />
<br />
<a href="http://www.youtube.com/watch?v=VzWFPmS9tnM" target="_blank">Viejo Porton, Canta Teófilo Ibañez, 1938, Bailan Arce Montes</a><br />
<a href="http://www.youtube.com/watch?v=_eq-VPlSIiY" target="_blank">Bailan Gustavo Naveria - Giselle Anne</a><br />
<a href="http://www.youtube.com/watch?v=3i6Mqpnh6R0" target="_blank">Bailan Sebastian Jiménez - María Inés Bogado</a><br />
<a href="http://www.youtube.com/watch?v=Z-GAmB7bjI8" target="_blank">Bailan Ozgur Demir - Marina Marques</a><br />
<a href="http://www.youtube.com/watch?v=xbvrS2tnGa8" target="_blank">Bailan Nestor Ray - Silvina</a><br />
<br />
<a href="http://www.youtube.com/watch?v=0hpU9p-20EQ" target="_blank">Adoración, Cantan Hugo Duval, Carlos Heredia, 1951</a><br />
<a href="http://www.youtube.com/watch?v=xHz949FuJ60" target="_blank">Bailan Claudio Forte - Barbara Carpino</a><br />
<a href="http://www.youtube.com/watch?v=lS4K5KU5mmo" target="_blank">Bailan Thierry Le Cocq - Alessia Lyndin</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-30941467581908881242012-10-17T10:48:00.001-07:002013-03-11T13:57:06.795-07:00Rodolfo Biagi - Overview<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqmoT1SwLAMD4a6VbDCivbH4VbhzkonDBxAoCWIAMxdY2HLpYvydWL2Jns-JuRAstDXu0HsbX_zThOuImSz4eeaZZHa42y8Jbuej8deMnL3j2TE319tQoytRMGaikYqT4m9prp0J8ByyIq/s1600/Rodolfo+Biagi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqmoT1SwLAMD4a6VbDCivbH4VbhzkonDBxAoCWIAMxdY2HLpYvydWL2Jns-JuRAstDXu0HsbX_zThOuImSz4eeaZZHa42y8Jbuej8deMnL3j2TE319tQoytRMGaikYqT4m9prp0J8ByyIq/s1600/Rodolfo+Biagi.jpg" /></a></div>
<br />
<div style="text-align: justify;">
If you ask DJs or dancers to give an example of orchestras playing good, rhythmical music in most cases the first choice will be Juan d'Arienzo, the second Rodolfo Biagi. I think this is the correct answer, for Biagi to be just after d'Arienzo :). I love Biagi's music. When I hear any of his songs in a milonga, I immediately start searching for a partner to dance it :).</div>
<br />
<div style="text-align: justify;">
Biagi has worked with many famous musicians like Juan Maglio "Pacho", Carlos Gardel, Juan Canaro. In 1935 he joined the orchestra of Juan d'Arienzo. It was a very important moment. <span id="yui_3_7_2_1_1363034584579_7752">His integration to D'Arienzo's orchestra influenced his own musical future, and at the same time</span> had an impact on d'Arienzo's style, <span id="yui_3_7_2_1_1363034584579_7754">which</span> set a new
direction for the tango music! Guardia Vieja period had finished, Golden Age
had started. Biagi left d'Arienzo's orchestra in 1938 to set-up his own orchestra.<br />
<br />
<br />
<span id="yui_3_7_2_1_1363034584579_7765">Amongst </span>Biagi's recordings, <span id="yui_3_7_2_1_1363034584579_7762">one can</span> find a wide and diverse selection of music.
His tangos from <span id="yui_3_7_2_1_1363034584579_7764">the </span>early period (1938 - 1945) are faster and very rhythmic.
Later (1946 - 1962) they are still rhythmic, but slower and much more
melodic. His valses are great and should not be missed in any <span id="yui_3_7_2_1_1363034584579_7763">tango</span> event!
My favorite ones are Viejo Portón and Paloma. As far as I know there are
only 7 milongas available on CDs. But there are real pearls. One of them, possibly the best milonga of all times: Flor De
Monserrat.</div>
<div style="text-align: justify;">
<br />
For more detailed biographical and discographical information please go to:<br />
<a href="http://www.todotango.com/english/creadores/edonato.asp" target="_blank"></a><a href="http://www.todotango.com/english/creadores/rbiagi.asp" target="_blank">Todo Tango - Rodolfo Biagi</a><br />
<br />
In the next post I will start from presenting Biagi's valses.... </div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-36943743324717361022012-10-03T13:41:00.000-07:002012-10-03T13:41:15.984-07:00Rafael Canaro<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvOJlivbL5reE0Sel3noONGt1znDC4CFQ0mVy8oTT8ncyP01xO4-UScXZuk4XxmfQuuu7rouaDzSUZ2IETXVfRcVZY6RwCCx94C06P5DvdRD-FhimYNj-hRxMMxtZ71t1lte8hjUqL0DN/s1600/Rafael+Canaro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvOJlivbL5reE0Sel3noONGt1znDC4CFQ0mVy8oTT8ncyP01xO4-UScXZuk4XxmfQuuu7rouaDzSUZ2IETXVfRcVZY6RwCCx94C06P5DvdRD-FhimYNj-hRxMMxtZ71t1lte8hjUqL0DN/s320/Rafael+Canaro.jpg" width="222" /></a></div>
<br />
<br />
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Rafael Canaro</b><br />
<br />
<br />
<div class="MsoNormal">
Singers: <b>Aldo Campoamor, Luis Scalon, Raul Sanders, Carlos Dante, Roger Toussaint</b><b style="mso-bidi-font-weight: normal;">, Instrumental</b><br />
<br />
<br />
Period: <b style="mso-bidi-font-weight: normal;">1927–1948</b></div>
<br />
<div style="text-align: justify;">
In this post I'd like to write a few words about one of less famous
orchestras and it's leader Rafael Canaro. There are many not widely known
facts about Rafael and I am more than happy to share some of them with
you. Rafael was a brother of Francisco, one of the biggest and most
famous tango musicians of all times. In the family there were 3 more
brothers, each of them was a tango musician and an orchestra leader:
Humberto, Juan and Mario.</div>
<br /><div style="text-align: justify;">
The Canaro family was coming from
Uruguay. We should not think that tango equals Argentina and Buenos
Aires. The contribution of Uruguay and Mondevideo to the history of
tango is significant. Other musicians coming from that country
were: Edgardo Donato, Julio Sosa, Miguel Villasboas and many others. The
most famous tango "La Cumparsita" was composed in 1919 by Gerardo Matos
Rodríguez in Montevideo.</div>
<br /><div style="text-align: justify;">
Rafael Canaro spent more than 10 years
in Europe. He lived and recorded mainly in France (some songs are in
French), but also in Spain and Germany. He composed (together with
Francisco) one of my favorite tangos: Sentimiento Gaucho</div>
<br />
<br />
DJ comment:<br />
<br />
In my opinion Rafael Canaro recorded his best songs in Europe
(1929-1939). You will find there lots of songs from repertoire of his
brother Francisco, but they sound quite different. If you want to calm
down the milonga and make your dancers hug each other more, a tanda of
Rafael Canaro is a great choice.<br /><br />Rafael Canaro's orchestra is one
of the "non-mainstream" ones. I tend to avoid frequently playing tandas
of those orchestras. I like keeping their special and less popular
character. Other orchestras in this category could be: Jose Garcia,
Donato Racciatti, Hector Varela, etc... But this is only my personal
preference, you are free to do as you feel right.<br />
<br />
Song examples:<br />
<br />
<a href="https://www.youtube.com/watch?v=o3wUyBsyAb8" target="_blank">Viejos Tiempos, Canta Aldo Campoamor, 1939</a><br />
<br />
<a href="https://www.youtube.com/watch?v=H5la3sh5bIQ" target="_blank">Paciencia, Canta Luis Scalon, 1938</a><br />
<br />
<a href="https://www.youtube.com/watch?v=q-46hAzR8lM&feature=related" target="_blank">Que le importa al mundo, Canta Luis Scalon, 1938</a><br />
<br />
<a href="https://www.youtube.com/watch?v=oFFEWb1xR60" target="_blank">Yo no sé por qué te quiero, Canta Raul Sanders, 1936</a><br />
<br />
<a href="https://www.youtube.com/watch?v=Z8g9G8eGNXE&feature=related" target="_blank">A Montmartre, Canta Carlos Dante, 1929</a><br />
<br />
<a href="https://www.youtube.com/watch?v=2nHrgBGCYuY&feature=related" target="_blank">Rien que nous deux , Canta Raúl Sanders, 1937 - in French</a><br />
<br />
<a href="https://www.youtube.com/watch?v=C7JAoryhBXI&feature=related" target="_blank">La mélodie de notre adieu, Canta Roger Toussaint, 1936 - in French</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0tag:blogger.com,1999:blog-1593518955223686992.post-84746804039021430302012-08-17T14:33:00.000-07:002015-01-24T10:36:36.513-08:00Enrique Rodríguez - Foxtrots<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5ifdSZyFulI9WHdjhEEeEde_GNmXO57Z0_dxA-LWfHHvoMr6o_V74xa-x3KwFg5qepQ_z2OrXfnE6ZEFjOjcZNHCvQWNxgUANV8NLgzXSZySZGhwjHRMBKA7wA3vmaaWDMs1-Q47rvSL/s1600/Enrique+Rodriguez+-+Foxtrot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5ifdSZyFulI9WHdjhEEeEde_GNmXO57Z0_dxA-LWfHHvoMr6o_V74xa-x3KwFg5qepQ_z2OrXfnE6ZEFjOjcZNHCvQWNxgUANV8NLgzXSZySZGhwjHRMBKA7wA3vmaaWDMs1-Q47rvSL/s320/Enrique+Rodriguez+-+Foxtrot.jpg" height="285" width="320" /></a></div>
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Enrique Rodríguez</b><br />
<br />
<div class="MsoNormal" style="color: black;">
Singers:<b> Armando Moreno, Roberto Flores, Roberto Videla, Instrumental </b></div>
<div class="MsoNormal" style="color: black;">
<br /></div>
<div class="MsoNormal" style="color: black;">
Period: <b style="mso-bidi-font-weight: normal;">1937–1970</b></div>
<div style="color: black;">
<br /></div>
<div style="color: black; text-align: justify;">
A few days ago I was at a tango marathon.
Around 5 a.m. on Sunday the energy of the milonga was going down and
the only reasonable choice for me seemed to be going to the hotel.
Suddenly the DJ started playing a tanda of Foxtrots by Rodríguez. The floor filled up with the dancers (I was one of them) immediately and it brought the milonga back to life. So here comes the topic for this post...</div>
<div style="color: black; text-align: justify;">
</div>
<div style="color: black; text-align: justify;">
As I wrote in one of my
previous posts, Rodríguez was recording quite many different music
genres (e.g. Corridos, Foxtrots, Marchas, Pasodobles, Polcas). His
orchestra was called “Orquesta de todos ritmos”. Foxtrots had quite an
important place in the repertoire. I´m aware of at least 50 recorded
songs. During milongas they can be treated as "special" milongas. They
are a bit more difficult to dance than a regular milonga, but I think it
does not matter much. The fun you get dancing those foxtrots compensates
any difficulties...</div>
<div style="color: black; text-align: justify;">
</div>
<div style="color: black; text-align: justify;">
In songs recorded by Rodríguez there are many references to locations from outside of Argentina. In his foxtrots there are quite many Hungarian motifs. This is particularly close to my heart as I´m currently living in Budapest. The ones that come to my mind now are:</div>
<div style="color: black; text-align: justify;">
</div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
-<span style="font: 7.0pt "Times New Roman";"> </span>Noches de Hungría (also the name of a great tango marathon of Budapest), </div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
-<span style="font: 7.0pt "Times New Roman";"> </span>Danza Hungara no5 (based on Hungarian dance by Johannes Brahms), </div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
<span lang="ES-CO">-<span style="font: 7.0pt "Times New Roman";"> </span></span><span lang="ES-CO">Alma de Dios (based on Cancion Hungara from Zarzuela Alma de Dios)</span></div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
<span lang="ES-CO">-<span style="font: 7.0pt "Times New Roman";"> </span></span>Amor En Budapest</div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
- Please let me know if there are more of them :) </div>
<div style="color: black; margin-left: 36pt; text-align: justify;">
<br /></div>
<div style="color: black; text-align: justify;">
DJ Comment</div>
<div style="color: black; text-align: justify;">
I've
got only one remark: don't use those foxtrots too often. If you do,
their special character will be gone... So "play with moderation" :)</div>
<div style="color: black; text-align: justify;">
<br /></div>
<div style="color: black; text-align: justify;">
<br /></div>
<div style="color: black;">
<b>Song examples:</b></div>
<br />
<a href="http://www.youtube.com/watch?v=k76Ee1Og3Rc" target="_blank">La Calesita Se Destrozó, Canta Roberto Flores, 1937</a><br />
<br />
<a href="http://www.youtube.com/watch?v=6GozePB7HqE" target="_blank">La Colegiala, Canta Roberto Flores, 1938</a><br />
<a href="http://www.youtube.com/watch?v=IKTWiLu1MXk&fb_source=message" target="_blank">Bailan Yanick Wyler - Sigrid Van Tilbeurgh</a><br />
<a href="http://www.youtube.com/watch?v=4fEE-kXzdGc" target="_blank">Bailan Gaston Torelli ' Mariela</a><br />
<br />
<a href="http://www.youtube.com/watch?v=c9BJ9lkLfJU" target="_blank">Amor En Budapest, Canta Armando Moreno, 1940</a> <br />
<br />
<a href="http://www.youtube.com/watch?v=t6aKOocpZNI" target="_blank">Noches de Hungría, Canta Armando Moreno, 1942</a><br />
<br />
<a href="http://www.youtube.com/watch?v=rAa2mfzb7wE" target="_blank">Se Va El Tren, Canta Armando Moreno, 1942</a><br />
<br />
<a href="http://www.youtube.com/watch?v=9oXfQzH8YUY" target="_blank">Suavemente, Canta Armando Moreno, 1942</a><br />
<br />
<a href="http://www.youtube.com/watch?v=HWs42sO8aTk" target="_blank">Por Las Calles De Istambul, Canta Armando Moreno, 1944</a><br />
<br />
<a href="http://www.youtube.com/watch?v=uA57z6sxuM4" target="_blank">Danza Húngara No. 5, Instrumental, 1947</a><br />
<br />
<a href="http://www.youtube.com/watch?v=6PfnOllHdgc" target="_blank">Japonesita, Canta Roberto Videla, 1951</a><br />
<br />Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com3tag:blogger.com,1999:blog-1593518955223686992.post-70523980875332491042012-08-09T16:14:00.001-07:002015-01-24T10:31:34.051-08:00Osvaldo Fresedo, Roberto Ray - Hollywood in Buenos Aires<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAc4d5wE5tNzcMUz37bcApOHwb1kpZzlYlf0jzF8VExyrAyrUWMD62GTMAhdRyum_CAEXbfw9TssdUzDCrNoXvL9Pd4II42RlR6VG3PJqt164umgU6kkPihg7A1oIepuS8tvr4oynhKLAf/s1600/Osvaldo+Fresedo+Roberto+Ray.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAc4d5wE5tNzcMUz37bcApOHwb1kpZzlYlf0jzF8VExyrAyrUWMD62GTMAhdRyum_CAEXbfw9TssdUzDCrNoXvL9Pd4II42RlR6VG3PJqt164umgU6kkPihg7A1oIepuS8tvr4oynhKLAf/s200/Osvaldo+Fresedo+Roberto+Ray.jpg" height="200" width="196" /></a></div>
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Osvaldo Fresedo</b><br />
<br />
<div class="MsoNormal">
Singer:<b> Roberto Ray</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Period: <b style="mso-bidi-font-weight: normal;">1932–1939</b></div>
<br />
<br />
<div style="text-align: justify;">
During the 1920ies and at the beginning of the 1930ies Osvaldo Fresedo's
orchestra was playing and recording in Guardia Vieja style. In 1933
Fresedo´s style completely changed. The music became much lighter,
softer, more sophisticated. New instruments (harp, vibraphone, drums)
had added a completely fresh flavor to his music. When I ask my tango friends to
describe Fresedo's music from that period, they say that is sounds like as if
from a movie, straight from Hollywood.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
At the beginning I wanted to cover all of the "Hollywod" period in one post. But there are so many great songs and singers in that period, that this post would be far too long. So I have decided to cut it in more pieces.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
So let's start from the beginning. Roberto Ray was the first singer in
that period. He was recording with Fresedo during the 1930ies. A few songs
were recorded between 1948 and 1950, after nearly 10 years of break.
Between the best and most known songs you'll find: Vida Mía, Siempre Es
Carnaval, Sollozos, El Once (El 11), Cordobesita, Isla De Capri. The
first 4 songs were composed by Fresedo himself. <span id="yui_3_7_2_1_1363353877892_3031">The </span>Lyrics of those 4 songs
(and many others) were written by the brother of Osvaldo, Emilio
Fresedo.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
DJ comment:</div>
<div style="text-align: justify;">
Orchestra of Osvaldo Fresedo is not played very frequently in the milongas
of Buenos Aires. That obviously doesn't mean it should't be played more
often elsewhere :). Amongst the recordings with Ray you'll find material
for faster tandas (e.g. Araca La Cana, Cordobesita, El Mareo, Telón),
but also very slow and romantic songs (e.g. Pampero, Siempre Es
Carnaval, Vida Mía). One of my favorite songs is "Como Aquella Princessa"
with its very distinctive oriental sound...</div>
<br />
<br />
<div style="text-align: justify;">
<b>Song examples:</b></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=Ui4hLGHF3iE" target="_blank">Vida Mía, 1933</a> </div>
<div style="text-align: justify;">
<br />
<a href="http://www.youtube.com/watch?v=cJwbPTxDvTQ" target="_blank">Cordobesita, 1933, Bailan Pablo Rodriguez - Noelia Hurtado</a><br />
<a href="http://www.youtube.com/watch?v=HVjKszqEagc" target="_blank">Bailan Hiroshi Yamao - Kyoko Yamao</a><br />
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=YLzMr5COgXI" target="_blank">Araca La Cana, 1933</a><br />
<a href="http://www.youtube.com/watch?v=mipxQ0eaFjM" target="_blank">Bailan Pablo Rodriguez - Noelia Hurtado (long, long time ago :)</a> </div>
<div style="text-align: justify;">
<br />
<a href="http://www.youtube.com/watch?v=lMybG8tDqIM" target="_blank">En La Huella Del Dolor, 1934</a><br />
<a href="http://www.youtube.com/watch?v=nS4jSTC0LVc" target="_blank">Bailan Ricardo Viqueira - Valérie Lafore</a><br />
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=d5z81hD3QCs&feature=related" target="_blank">Isla de Capri, 1935</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=7rqRmnsnT1g" target="_blank">Recuerdos de Bohemia, 1935</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=68gr5pPICEg&feature=related" target="_blank">Como Aquella Princessa, 1937</a><br />
<br />
<a href="http://www.youtube.com/watch?v=G9IkP72NYCI" target="_blank">Niebla del Riachuelo, 1937</a><br />
<a href="http://www.youtube.com/watch?v=KE24-uUQfxM" target="_blank">Bailan Oscar Casas - Ann Casas</a> </div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=iH7pvRBmYfM&feature=related" target="_blank">Bailan Javier Rodriguez - Andrea Missé</a><br />
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=u0AV0B8ke7o&feature=related" target="_blank">Sollozos, 1937</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://www.youtube.com/watch?v=FhPbQQyymHo" target="_blank">Siempre Es Carnaval, 1937</a><br />
<a href="http://www.youtube.com/watch?v=B7k-0oOFwrk" target="_blank">Baila Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=Zgb0SxkL7Fc" target="_blank">Bailan Edwin - Jennifer</a> </div>
Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com1tag:blogger.com,1999:blog-1593518955223686992.post-82505913495100129612012-08-02T09:02:00.001-07:002015-01-24T10:26:25.736-08:00Osvaldo Fresedo - Overview<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSO2RaLh-R_Shfj6s9EUhTUVGboGhouDh6CJPPfDM7SJAZBdk58zItooXLD5pDpWrl7HhtSlxwHVJyIU6nE8DuHV_KzpVk6fsIhdPPqLPyVGJhk2_DaUbwIIV6rAswggDFcVLMdA9TmY7Z/s1600/Osvaldo+Fresedo+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSO2RaLh-R_Shfj6s9EUhTUVGboGhouDh6CJPPfDM7SJAZBdk58zItooXLD5pDpWrl7HhtSlxwHVJyIU6nE8DuHV_KzpVk6fsIhdPPqLPyVGJhk2_DaUbwIIV6rAswggDFcVLMdA9TmY7Z/s1600/Osvaldo+Fresedo+3.jpg" /></a></div>
<br />
<div style="text-align: justify;">
Osvaldo Fresedo is one of the most interesting characters in the history of tango. He was apparently the longest recording tango musician ever. My music collection indicates 60 years of recording (the first from 1920, the last from 1980). Todo Tango's biography mentions 63 years. That's a very long period and lots of things have happened during that time. </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Not many people know that in the 1920ies and early 1930ies, Fresedo was recording in Guardia Vieja style (similar to Orquesta Tipica Victor, Adolfo Carabelli, etc...). Some of the recordings from that period are really amazing and I will surely write a separate post about them. I hope they will be becoming more popular and we will hear them more frequently in the milongas...</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
His most popular recordings come from the 1930ies and the 1940ies. During that
period he developed his very particular and easy to recognize style.
The music is very soft, romantic and it feels like it has some Hollywood
touch. Fresedo's orchestra from that time could hardly be called
"Típica". A¨normal¨ orchestra "típica" (as it is the case of the most famous tango
orchestras) includes: violins, bandoneóns, piano, and double bass..
Fresedo's orchestra on top of the standard instruments included harp,
vibraphone and drums. That surely contributed to his unique style.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span id="yui_3_7_2_1_1363353877892_3494">During the </span>1950ies his music gets<span id="yui_3_7_2_1_1363353877892_3496"> a</span> more jazzy flavour. It's still very good and
danceable (though I would not play it in milongas too often). Later
recordings are rather interesting for listening only.</div>
<div style="text-align: justify;">
<br /></div>
<div id="yui_3_7_2_1_1363353877892_3475" style="text-align: justify;">
Fresedo<span id="yui_3_7_2_1_1363353877892_3502">'s</span> discography is quite big (more than 1000 recordings), but one can
hardly find any songs suitable for dancing milongas and valses. As far
as I remember I have heard only once a tanda of Fresedo's valses (during
La Latina marathon in Rome). I liked it a lot, but I'd treat is as
something special and keep it for only very rare occassions.</div>
<div style="text-align: justify;">
</div>
<div id="yui_3_7_2_1_1363353877892_3480" style="text-align: justify;">
</div>
<div id="yui_3_7_2_1_1363353877892_3480" style="text-align: justify;">
Fresedo had quite many prominent singers recording with his orchestra. Below I list the main ones: </div>
<br />
Early Period / Guardia Vieja style (1920 - 1932)<br />
<ul>
<li>Ernesto Famá</li>
<li>Ada Falcón</li>
<li>Teófilo Ibañez</li>
<li>Luis Díaz</li>
</ul>
Middle Period / Hollywood style (1932 - 1950)<br />
<ul>
<li>Roberto Ray</li>
<li>Ricardo Ruiz</li>
<li>Carlos Mayel</li>
<li>Oscar Serpa</li>
</ul>
Late Period / Jazzy Fresedo (after 1950)<br />
<ul>
<li>Héctor Pacheco</li>
<li>Armando Garrido </li>
</ul>
<div style="text-align: justify;">
The singers from the early period are surely more known from their recordings with different orchestras: Ernesto Famá with di Sarli and Canaro, Ada Falcón with Canaro, Teofilo Ibañez with Biagi, Luis Díaz with Orchestra Típica Victor and Edgardo Donato.</div>
<br />
That's enough for now, let's move to the next post to listen to some music and watch some videos.Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com3tag:blogger.com,1999:blog-1593518955223686992.post-48583804998570870692012-07-28T03:11:00.000-07:002015-01-24T10:32:01.656-08:00Francisco Canaro - Fast / Late Milongas<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheX4LrKyWjhTUnosbITKxdvlzk7IlYcklADVipUT0ANt4OxGYGdN69UtlTiwuVo31Bby7xfPbRbjqEK8bFrr7jyxoGwN3dyxnfXS04bbMzREzTbSJ2Y6ZQxGs6JKPaxLig1KLE4rM6v3qQ/s1600/Francisco+Canaro+-+Fast+Milongas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheX4LrKyWjhTUnosbITKxdvlzk7IlYcklADVipUT0ANt4OxGYGdN69UtlTiwuVo31Bby7xfPbRbjqEK8bFrr7jyxoGwN3dyxnfXS04bbMzREzTbSJ2Y6ZQxGs6JKPaxLig1KLE4rM6v3qQ/s400/Francisco+Canaro+-+Fast+Milongas.jpg" height="400" width="288" /></a></div>
<br />
Orchestras: <b>Francisco Canaro, Quinteto Pirincho</b><br />
<b><br /></b>Singers: <b>Ernesto Famá<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;"></span></b><b>, Carlos Roldan, Instrumental</b><br />
<b><br /></b>Period: <b>1938-1947</b><br />
<div class="MsoNormal">
<br />
<div style="text-align: justify;">
As time <span id="yui_3_7_2_1_1363212781169_2231">went by</span>, the milongas of Canaro became faster and faster.
In the period between 1932-1937 the speed was ranging from 76 to 90
bpm. 76 is rather slow (e.g. Milonga Sentimental), 90 starts to be
reasonably fast (e.g. Milonga de Antańo). Suddenly in 1938 songs started to speed
up <span id="yui_3_7_2_1_1363212781169_2233">and after that period</span> they ranged from 96 bpm to 116 bpm (116 is a
really fast milonga - e.g. Requebrada).</div>
<br />
<div style="text-align: justify;">
Personally, as a dancer, I like most of the songs
recorded between 1938 and 1939. One can find <span id="yui_3_7_2_1_1363212781169_2240">amongst </span>them "hits" like:
Reliquias Porteñas, La Milonga de Buenos Aires, No Hay Tierra Como La
Mía and many others... Similar to many other orchestras something
changed <span id="yui_3_7_2_1_1363212781169_2244">in</span> the beginning of the 1940ies. The later milongas are less
enjoyable and more difficult to dance.</div>
</div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div style="text-align: justify;">
<br />
<b>DJ comment:</b><br />
<br />
<div style="text-align: justify;">
As written above, the milongas from the later period are very fast. For that
reason they might not be appreciated by some less experienced dancers.
Milongas sung by Carlos Roldan are very good, playful but not very easy to dance.
Quite many times I have seen dancers (even pretty advanced ones)
leaving the dance floor in the middle of tanda.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
So you'll probably need to be a bit more careful while playing the later
milongas of Canaro, but still they should be in <span id="yui_3_7_2_1_1363212781169_2250">the</span> repertoire of <span id="yui_3_7_2_1_1363212781169_2290">every</span> DJ.
There are lots of great songs to choose from.</div>
</div>
<br />
<br />
<b>Song examples:</b><br />
<br />
<a href="http://www.youtube.com/watch?v=ma6DxaNS6Tc" target="_blank">Reliquias Porteñas, Orquesta Francisco Canaro, Instrumental, 1938</a><br />
<a href="http://www.youtube.com/watch?v=SnWO_8f-1O0" target="_blank">Bailan Javier Rodriguez - Geraldine Rojas</a><br />
<a href="http://www.youtube.com/watch?v=lt_rwq13LSI" target="_blank">Bailan Javier Rodriguez - Andrea Missè</a><br />
<a href="http://www.youtube.com/watch?v=PvYwPZSt6wQ" target="_blank">Bailan Sebastian Jimenez - Maria Ines Bogado</a><br />
<a href="http://www.youtube.com/watch?v=6qjIyq_YTGA" target="_blank">Bailan Fabian Peralta - Virginia Pandolfi</a><br />
<br />
<a href="http://www.youtube.com/watch?v=upaEUD3l1nE" target="_blank">La milonga de mis tiempos, Orquesta Francisco Canaro, Instrumental, 1938, Bailan Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=W1Be1bkPoho" target="_blank">Bailan Sebastian Arce - Mariana Montes, Version 2</a><br />
<br />
<a href="http://www.youtube.com/watch?v=z-ATMifvS2A&feature=results_main&playnext=1&list=PL8DA5A7A5C538394D" target="_blank">Mi Buenos Aires, Orquesta Francisco Canaro, Canata Ernesto Fama, 1938</a><br />
<br />
<a href="http://www.youtube.com/watch?v=D6w2IFa9fzU" target="_blank">Milonga Brava, Orquesta Francisco Canaro, Canta Roberto Maida, Bailan Pablo Noelia</a><br />
<a href="http://www.youtube.com/watch?v=uc5ThUoV5cQ" target="_blank">Bailan Sebastian Achaval - Roxana Suarez</a><br />
<br />
<a href="http://www.youtube.com/watch?v=z-ATMifvS2A" target="_blank">La Milonga de Buenos Aires, Orquesta Francisco Canaro, Canta Ernesto Fama, 1939</a><br />
<a href="http://www.youtube.com/watch?v=LYdWKJRZ9AA" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<a href="http://www.youtube.com/watch?v=e7KUJa7pCDA" target="_blank">No hay tierra como la mía, Orquesta Francisco Canaro, Canta Ernesto Fama, 1939</a><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/VIzvhm6lLu8?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<a href="http://www.youtube.com/watch?v=3K2l1p6ew9U" target="_blank">Parque Patricios, Orquesta Francisco Canaro, Canta Ernesto Fama, 1940</a><br />
<br />
<a href="http://www.youtube.com/watch?v=VfKhxNKlMiM" target="_blank">Caran Can Fu, Orquesta Francisco Canaro, Canta Carlos Roldan, 1941, Bailan Oscar Mandagaran - Georgina Vargas</a><br />
<br />
<a href="http://www.youtube.com/watch?v=jpuoR7JaQUU" target="_blank">Serenata, Orquesta Francisco Canaro, Canta Carlos Roldan, 1944</a><br />
<br />
<a href="http://www.youtube.com/watch?v=gtpC7NaZ1Kc" target="_blank">La Naranja Nacio Verde, Orquesta Francisco Canaro, Cantan Carlos Roldan, Hector Castel, 1944</a><br />
<br />
<a href="http://www.youtube.com/watch?v=7Lx6ZAEwrlI" target="_blank">Se Dice De Mi, Orquesta Francisco Canaro, Canta Carlos Roldan, 1943</a><br />
<br />
<a href="http://www.youtube.com/watch?v=dRDCDszVO5s" target="_blank">Arrabalero, Orquesta Quinteto Pirincho, 1950, Bailan Horacio Godoy - Cecilia Garcia</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com1tag:blogger.com,1999:blog-1593518955223686992.post-75093260118969197222012-07-13T01:05:00.000-07:002015-01-24T10:33:14.290-08:00Juan d'Arienzo - Tango Revolution<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz_7A7_Nmc1NSDaHd3vTwwzOPjv_MqaBE2gr-Sp5F3r4OJ58uf8oDBhST-MF1lqa2uDMe_TiCLBLxn828TVFqjpI_frx-pnQoDp1-gdr118xJVZwVnGH1OWMC5mgb077G_ATQvYcQw5wJm/s1600/Juan+d%27Arienzo+1930ies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz_7A7_Nmc1NSDaHd3vTwwzOPjv_MqaBE2gr-Sp5F3r4OJ58uf8oDBhST-MF1lqa2uDMe_TiCLBLxn828TVFqjpI_frx-pnQoDp1-gdr118xJVZwVnGH1OWMC5mgb077G_ATQvYcQw5wJm/s320/Juan+d%27Arienzo+1930ies.jpg" height="320px" width="320px" /></a></div>
<br />
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Juan d'Arienzo</b><br />
<br />
<br />
<div class="MsoNormal">
Singers: <span style="font-family: "Calibri","sans-serif"; font-size: small;"><b>Alberto Echag</b></span><span style="font-size: small;"><b><span style="font-family: "Calibri","sans-serif"; line-height: 115%;">ü</span></b></span><span style="font-family: "Calibri","sans-serif"; font-size: small;"><b>e, Enrique Carbel, Instrumental</b></span><br />
<br /></div>
<div class="MsoNormal">
Period: <b style="mso-bidi-font-weight: normal;">1935-1939</b><br />
<br /></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<br /></div>
<div style="text-align: justify;">
When you read about d'Arienzo, you might come across phrases like:"he returned
music to the dancers", "he revolutionized tango music", "with d'Arienzo
new era in tango music starts ", etc... I am not an expert, but I'm pretty
sure that the people who wrote those statements, knew well what they were
talking about <span id="yui_3_7_2_1_1363212781169_2718" style="font-family: Wingdings;">:)</span><span style="font-family: Wingdings;"></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
What I know for certain is that in 1935 something significant happened.
When I go through my music collection in chronological order I have a
feeling that all of the music before 1935 is somehow similar. That
obviously does not mean that until that time nothing interesting was
happening in the <span id="yui_3_7_2_1_1363212781169_2738">tango music scene</span>. Lots of great orchestras were recording, each one
with a particular style (especially Fresedo with his “Hollywood flavour").
But when I listen to the first recordings of d'Arienzo from 1935 they
stand out significantly. Something has changed. It's like a breath of
fresh air... There’s not point in writing much more. Just listen and
judge yourself.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
It's important to mention that Rodolfo Biagi was a pianist in d'Arienzo’s orchestra at that time (1935-1938). He did significantly contribute to the new, unique style. </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<b>DJ:</b></div>
<div style="text-align: justify;">
<div id="yui_3_7_2_1_1363212781169_2741" style="text-align: justify;">
<span id="yui_3_7_2_1_1363212781169_2765">The</span> D'Arienzo from <span id="yui_3_7_2_1_1363212781169_2766">the</span> 1930ies is nearly a MUST for every milonga. The recordings
are very rhythmical and easy to dance. No matter what time played, a
tanda of songs from that period will surely bring most of the dancers to
the dance floor.</div>
</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alberto Echagüe was the main singer of the orchestra in the 1930ies. Enrique
Carbel has recorded only one song: Paciencia. Only one song, but a
great one. Another singer from that time was Walter Cabral: he did not
record any tangos, but rather a few valses and a milonga.</div>
<br />
<br />
<b>Song examples: </b><br />
<br />
<a href="http://www.youtube.com/watch?v=VpnE62RB_Ps" target="_blank">9 de Julio, Orquesta Juan d'Arienzo, Instrumental, 1935</a><br />
<br />
<a href="http://www.youtube.com/watch?v=oxF4VJNbuwA" target="_blank">El Flete, Orquesta Juan d'Arienzo, Instrumental, 1936</a><br />
<a href="http://www.youtube.com/watch?v=C_Rx1JXg80g&feature=related" target="_blank">Bailan Octavio Fernandez - Corina Herrera</a><br />
<a href="http://www.youtube.com/watch?v=QwqHoZHz5Zs" target="_blank">Bailan Chicho - Juana Sepulvera</a><br />
<a href="http://www.youtube.com/watch?v=BoG3gbNZd-E" target="_blank">Bailan Federico Naveira - Ines Muzzopappa</a><br />
<br />
<a href="http://www.youtube.com/watch?v=7shL62xRqoY" target="_blank">Ataniche, Orquesta Juan d'Arienzo, Instrumental, 1936</a><br />
<a href="http://www.youtube.com/watch?v=ZVKm86ugcrI&feature=related" target="_blank">Bailan Federico Naveira - Ines Muzzopappa</a><br />
<br />
<a href="http://www.youtube.com/watch?v=eS0R9l-jFVY" target="_blank">Paciencia, Orquesta Juan d'Arienzo, Canta Enrique Carbel, 1937</a><br />
<br />
<a href="http://www.youtube.com/watch?v=nwQsd4LRQrY" target="_blank">Pensalo Bien, Orquesta Juan d'Arinezo, Canta Alberto Echagüe, 1938</a><br />
<a href="http://www.youtube.com/watch?v=-4sU4uxdg7s" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=-G6gCi9EqSc" target="_blank">Bailan Pablo Veron - Teresa Cunha</a><br />
<a href="http://www.youtube.com/watch?v=CHiJt881fv8" target="_blank">Bailan Oscar Casas - Mary Ann Casas, Osky Casas - Luisa Pasierkowska</a><br />
<br />
<a href="http://www.youtube.com/watch?v=RlPVyFW80bg" target="_blank">Nada Mas, Orquesta Juan d'Arinezo, Canta Alberto Echagüe, 1938</a><br />
<br />
<a href="http://www.youtube.com/watch?v=mr3N5jpoajA&feature=endscreen" target="_blank">La Bruja, Orquesta Juan d'Arinezo, Canta Alberto Echagüe, 1938</a><br />
<a href="http://www.youtube.com/watch?v=kQmIxmfKsiE" target="_blank">Bailan Nestor Ray - Patricia Garcia</a><br />
<br />
<a href="http://www.youtube.com/watch?v=MqwXC1CnT2M" target="_blank">No Mientas, Orquesta Juan d'Arinezo, Canta Alberto Echagüe, 1938</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com6tag:blogger.com,1999:blog-1593518955223686992.post-45771084140318660822012-06-22T13:06:00.000-07:002015-01-24T10:33:35.533-08:00Osvaldo Pugliese, Jorge Maciel<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Z2CvcnvWP-yBs8VPWs1w-cu5J9zae31I5DHiUIay9ie6CrFIm8TKVyQ1W6IhXuJC3rTMsPx-o-NxW1KVB2M26HxuNI5KcQgf_bU2E3lmM0Ft5wFum8r54PALM9FpMYQoipjsBvLyefuv/s1600/Osvaldo+Pugliese,+Jorge+Maciel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Z2CvcnvWP-yBs8VPWs1w-cu5J9zae31I5DHiUIay9ie6CrFIm8TKVyQ1W6IhXuJC3rTMsPx-o-NxW1KVB2M26HxuNI5KcQgf_bU2E3lmM0Ft5wFum8r54PALM9FpMYQoipjsBvLyefuv/s1600/Osvaldo+Pugliese,+Jorge+Maciel.jpg" /></a></div>
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Osvaldo Pugliese</b><br />
<br />
<br />
<div class="MsoNormal">
Singer:<b> Jorge Maciel</b></div>
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
Period: <b style="mso-bidi-font-weight: normal;">1954–1967</b></div>
<div class="MsoNormal">
<br />
<br /></div>
<div style="text-align: justify;">
<span lang="EN-US">My next post was supposed to be
about Fast/Late milongas of Canaro, but I have changed my mind in the very last
moment. On Thursday evening last week I DJ-ed an outdoor milonga. It was quite
cold but still quite many people came. During the whole evening I was trying to
keep the energy high so that the dancers don't get cold and don't go home.
Unexpectedly, mainly for myself :), I have decided to play as the last tanda
Osvaldo Pugliese with Jorge Maciel. And I liked it a lot. So here comes our new
chapter…</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span lang="EN-US">A friend of mine commented the
previous post about Pugliese: "Many of my most memorable tandas were
Pugliese's". He gets the point and I definitely share his opinion.
Jorge Maciel is my favorite singer of Pugliese. The songs are not the easiest
to dance, but if you put emotions to the dance you have a high chance for a
special experience.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br />
<b><br /></b>
<b>DJ:</b></div>
<div style="text-align: justify;">
<br />
<div style="text-align: justify;">
<span id="yui_3_7_2_1_1363212781169_3193" lang="EN-US">What I wrote to the post about
early recordings of Pugliese will apply here as well. Surely a tanda with
Maciel can be "the tanda"of the evening. I usually like to finish the
evening with some lighter music (e.g. Donato or Canaro), but that Thursday for
some unknown reason I had played Pugliese in the end. And I think it worked
pretty well... I would suggest not abusing this type of music. If you play it
every week it will lose its exceptional mood and you will not be able to
achieve as great an effect as you would<span id="yui_3_7_2_1_1363212781169_3196"> have liked</span> to...</span></div>
</div>
<br />
<b><br /></b>
<b>Song examples:</b><br />
<br />
<a href="http://www.youtube.com/watch?v=NUSQtNHOgTI" target="_blank">Esta Noche De Luna, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1955</a><br />
<a href="http://www.youtube.com/watch?v=ZIdbCjTIQB4" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=UxACC6VsAZw&feature=related" target="_blank">Bailan Fabian Peralta - Virginia Pandolfi</a><br />
<a href="http://www.youtube.com/watch?v=qwwcC2DoJrA&feature=related" target="_blank">Bailan Julio Balmaceda - Corina de la Rosa</a><br />
<a href="http://www.youtube.com/watch?v=ZuswADp3Y-0&feature=related" target="_blank">Bailan Sebastian Achaval - Roxana Suarez</a><br />
<a href="http://www.youtube.com/watch?v=lK4YI4OxD8g" target="_blank">Bailan Edwin Espinosa - Virginia Pandolfi</a><br />
<br />
<a href="http://www.youtube.com/watch?v=EedTFCQzgoU" target="_blank">El Pañuelito, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1959</a><br />
<br />
<a href="http://www.youtube.com/watch?v=WQjkgbUcKHM" target="_blank">Cascabelito, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1955</a><br />
<a href="http://www.youtube.com/watch?v=ig9sTwyGcfM" target="_blank">Bailan Juan Martin Carrara - Stefania Colina</a><br />
<br />
<a href="http://www.youtube.com/watch?v=vma9D0dR_wg" target="_blank">Remembranzas, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1956</a><br />
<a href="http://www.youtube.com/watch?v=pUoBvPbwlUs" target="_blank">Bailan Gaston Torelli - Moira Castellano</a> <br />
<a href="http://www.youtube.com/watch?v=WBB-ZX_zrRY" target="_blank">Bailan Ismael Ludman - Maria Mondino</a><br />
<a href="http://www.youtube.com/watch?v=YRRZFFVsEj4" target="_blank">Bailan Ozgur Demir - Cécilia Berra</a><br />
<br />
<a href="http://www.youtube.com/watch?v=8rH0DoN2p3s" target="_blank">Adiós Corazón, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1958</a><br />
<br />
<a href="http://www.youtube.com/watch?v=GIZ1aZWnOB4" target="_blank">El Adiós, Orquesta Osvaldo Pugliese, Canta Jorge Maciel, 1963</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com3tag:blogger.com,1999:blog-1593518955223686992.post-72326961909006584602012-06-13T10:10:00.000-07:002015-01-24T10:34:05.974-08:00Francisco Canaro - Slow / Early Milongas<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr-9ZTLxnGimHxsBnve3r8uMnr_SEQ2UfrNEUt_czPeQ0xyAmYGGsgK2gt8nbSAiwCACktx2cCi6-kmeazB8x_b0fhKElgKshj6xHTSbJmtLqfvZrkYNtu7IXQQtS_U9x9cXj2dYze3w2L/s1600/Francisco+Canaro+-+Milongas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr-9ZTLxnGimHxsBnve3r8uMnr_SEQ2UfrNEUt_czPeQ0xyAmYGGsgK2gt8nbSAiwCACktx2cCi6-kmeazB8x_b0fhKElgKshj6xHTSbJmtLqfvZrkYNtu7IXQQtS_U9x9cXj2dYze3w2L/s1600/Francisco+Canaro+-+Milongas.jpg" /></a></div>
<br />
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Francisco Canaro</b><br />
<br />
<br />
Singers:<b> Ernesto Fam</b><b><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">á</span></b><b style="mso-bidi-font-weight: normal;">, Roberto Maida, Instrumental </b><br />
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
Period: <b style="mso-bidi-font-weight: normal;">1933–1937</b></div>
<div class="MsoNormal" style="text-align: justify;">
<br />
<br />
<br />
Compared to other orchestras, Francisco Canaro has the biggest
collection of good quality, popular, enjoyable, playful and easy to
dance milongas. I don't think anybody will disagree with this statement. There's a very high chance to hear at least one Canaro milonga tanda in every
milonga. I personally love them and I never get bored with
them.<br />
<br />
There are so many great and famous songs I would like to share, <span id="yui_3_7_2_1_1363212781169_3611">that is the reason why</span> I have
decided to split Canaro's milongas into 2 posts. Once again, chronology
and evolution of style of orchestras will help us. Earlier milongas are
much slower than the later ones. Yet, they have great energy and <span id="yui_3_7_2_1_1363212781169_3599">they</span> bring a
lot of fun to the dance floor.<br />
<br />
<b>DJ:</b></div>
<div style="text-align: justify;">
A tanda of older milongas of Canaro is a great choice for any
circumstance. They are appreciated by both beginners (slow, regular
rhythm = easy to dance) and advanced dancers (if you know every single
beat of a song you can make great things with the dance). Those songs
can be played at any time during the milonga: early (when you don't want to
take the energy too high wondering what to do next), in the middle (e.g.
after some higher energy, fast tanda of tango) or late (when your
dancers are already tired, those milongas will bring them back to the
floor). </div>
<br />
<br />
<b>Song examples:</b><br />
<br />
<br />
<a href="http://www.youtube.com/watch?v=TBaVYv4ekB0" target="_blank">Milonga Sentimental, Orquesta Francisco Canaro, Canta Ernesto Fam<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">á</span>, 1933</a><br />
<a href="http://www.youtube.com/watch?v=RsWNfIz9XJo" target="_blank">Bailan Mario Consiglieri - Anabella Diaz Hojman</a><br />
<a href="http://www.youtube.com/watch?v=0KhBuOwJPcU" target="_blank">Bailan Dani 'El Flaco' Garcia - Silvina Valz</a><br />
<a href="http://www.youtube.com/watch?v=oTbfTUU_IAE" target="_blank"> </a><br />
<br />
<a href="http://www.youtube.com/watch?v=KPd-5fv6abE" target="_blank">Yo me llamo "Juan te quiero", Orquesta Francisco Canaro, Canta Ernesto Fam<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">á</span>, 1934</a><br />
<a href="http://www.youtube.com/watch?v=nFPNCUOkPAI" target="_blank">Bailan Claudio Forte - Barbara Carpino</a><br />
<br />
<a href="http://www.youtube.com/watch?v=0PraZS9967M" target="_blank">Negrito, Orquesta Francisco Canaro, Canta Carlos Galan, 1934, Bailan Maximiliano Gluzman - Mirta Tiseyra</a><br />
<a href="http://www.youtube.com/watch?v=TdsQOIT1PDY" target="_blank">Bailan Horacio Rodríguez - Lili Jammes</a><br />
<br />
<a href="http://www.youtube.com/watch?v=Ac2eKkTVzBw" target="_blank">Larga Las Penas, Orquesta Francisco Canaro, Canta Roberto Maida, 1935, Bailan Rodrigo Fonti - Mila vigdorova</a><br />
<a href="http://www.youtube.com/watch?v=JbWPofBYfHU" target="_blank">Bailan Fausto Carpino - Veronica Toumanova</a><br />
<br />
<a href="http://www.youtube.com/watch?v=1n2vkEbjcy8" target="_blank">Milonga Criolla, Orquesta Francisco Canaro, Canta Roberto Maida, 1936</a><br />
<a href="http://www.youtube.com/watch?v=3LR-Us0-a48" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=qa2f_NykshA&feature=related" target="_blank">Bailan Chicho Frumboli - Juana Sepulveda</a><br />
<br />
<a href="http://www.youtube.com/watch?v=jCg6yqQzcwY" target="_blank">Silueta porteña, Orquesta Francisco Canaro, Canta Roberto Maida, 1936</a><br />
<a href="http://www.youtube.com/watch?v=N_3yEdNaEII&feature=related" target="_blank">Bailan Diego El Pájaro Riemer - Maria Belen Giachello</a><br />
<a href="http://www.youtube.com/watch?v=h5P2NXosZ20" target="_blank">Bailan Ozgur Demir - Marina Marques</a><br />
<br />
<a href="http://www.youtube.com/watch?v=46mEXKxmWbM" target="_blank">Milonga de Antańo, Orquesta Francisco Canaro, Instrumental, 1937, Bailan Gonzalo Orihuela - Solange Chapperon</a>Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com1tag:blogger.com,1999:blog-1593518955223686992.post-81720832881480129292012-06-08T12:35:00.000-07:002015-01-24T10:34:31.968-08:00Alfredo de Angelis - Valses<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQJGDYLMu8_DwNBj_AHCtxzdKRqWXXuCxvzGkWHn73BJjOpOEweQgK4MsW5_QOvHbQwy9SsmOuiC4UvzfLg6D3930WW68nEm6BCR-yYjollWXMibHcE6UEWubXj14ECEDPPeAAlzl-XOu/s1600/Alfredo+de+Angelis+v2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQJGDYLMu8_DwNBj_AHCtxzdKRqWXXuCxvzGkWHn73BJjOpOEweQgK4MsW5_QOvHbQwy9SsmOuiC4UvzfLg6D3930WW68nEm6BCR-yYjollWXMibHcE6UEWubXj14ECEDPPeAAlzl-XOu/s320/Alfredo+de+Angelis+v2.jpg" height="320" width="320" /></a></div>
<br />
<br />
Orchestra: <b style="mso-bidi-font-weight: normal;">Alfredo de Angelis</b><br />
<br />
<br />
Singer(s):<b> Carlos Dante, Julio Martel, Oscar Larroca, Floreal Ru</b><!--[if gte mso 9]><xml>
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<![endif]--><b><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: HU; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">í</span></b><b style="mso-bidi-font-weight: normal;">z </b><br />
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Period: <b style="mso-bidi-font-weight: normal;">1944–1961</b></div>
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Comment:<br />
<br />
So far I have been writing only about tangos. But now the time has come: valses!</div>
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As I wrote before, de Angelis is probably more famous for his valses than for his tangos and milongas. I would split his valses between early and late ones. The early ones (1944-1950) are very popular and highly appreciated by most dancers. The late valses (1950-1961) are less popular and many dancers don't like them. I personally love the late ones, especially those sung by the duo Dante - Larroca. Have a look on the video examples and you will notice the difference very quickly.<br />
<br />
DJ:</div>
<div style="text-align: justify;">
The valses of de Angelis are similar to the milongas of Francisco
Canaro: you can go the whole evening without using them, but you will
probably do better to put them on your list :). The late valses are not
really appreciated by many dancers, but one tanda played at the right moment
may work. Give it a try and challenge your dancers a bit :)</div>
<br />
The energy of the de Angelis' valses is quite high but it does not mean that
they are very fast. It is not the beats per minute, but rather the
orchestration that makes the difference. I propose you a small
experiment: compare Lina, Criolla or Como Las Margaritas with
d'Arienzo's Mentias or Pabellon de Rosas. All songs have similar beats
per minute (aprox 70), but the valses of d'Arienzo seem much
slower...Interesting, isn't it?<br />
<br />
<br />
Song examples:<br />
<br />
<a href="http://www.youtube.com/watch?v=UjKOo2d-TxA" target="_blank">Mi novia de ayer, Orquesta Alfredo de Angelis, Canta Floreal Ru<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: HU; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">í</span>z, 1944</a><br />
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<a href="http://www.youtube.com/watch?v=_c0z6noIRy0" target="_blank">El Vals De Nochebuena, Orquesta Alfredo de Angelis, Canta Carlos Dante, 1944</a><br />
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: HU; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">ñ</span>ar y nada más, Orquesta Alfredo de Angelis, Cantan Carlos Dante y Julio Martel, 1944</a><br />
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<a href="http://www.youtube.com/watch?v=PsIYYcjiL8Y" target="_blank">Ilusión Azl, Orquesta Alfredo de Angelis, Canta Carlos Dante, 1945</a><br />
<a href="http://www.youtube.com/watch?v=qq1YEppC7No&feature=related" target="_blank">Bailan Sebastian Arce - Mariana Montes</a><br />
<a href="http://www.youtube.com/watch?v=x2Ab8LFJZBk" target="_blank">Bailan Fernando Sanchez - Ariadna Naveira</a><br />
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<a href="http://www.youtube.com/watch?v=9_RFBBLiUcc" target="_blank">Pobre Flor, Orquesta Alfredo de Angelis, Cantan Carlos Dante y Julio Martel, 1946</a><br />
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<a href="http://www.youtube.com/watch?v=AsdliPd9cFQ" target="_blank">Pequeña, Orquesta Alfredo de Angelis, Canta Carlos Dante, 1949</a><br />
<a href="http://www.youtube.com/watch?v=FxOFUnMSpX8" target="_blank">Bailan Julio Balmaceda - Cecilia Gonzales</a><br />
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<a href="http://www.youtube.com/watch?v=cM5po49jqiM" target="_blank">El Santo de la Espada, Orquesta Alfredo de Angelis, Canta Julio Martel, 1950</a><br />
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<a href="http://www.youtube.com/watch?v=jGa4P5qRfGA&feature=youtube_gdata" target="_blank">Criolla, Orquesta Alfredo de Angelis, Cantan Carlos Dante, Oscar Larroca, 1951</a><br />
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<a href="http://www.youtube.com/watch?v=ogHCfNhZWhE" target="_blank">Como Las Margaritas, Orquesta Alfredo de Angelis, Cantan Carlos Dante, Oscar Larroca, 1952</a><br />
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<a href="http://www.youtube.com/watch?v=e0SlryVhY7g&feature=youtube_gdata" target="_blank">Lina, Orquesta Alfredo de Angelis, Cantan Carlos Dante, Oscar Larroca, 1952</a><br />
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<a href="http://www.youtube.com/watch?v=7vbHOMlhPjg&feature=related" target="_blank">Adiós, Adiós, Orquesta Alfredo de Angelis, Cantan Carlos Dante, Oscar Larroca, 1955</a><br />
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<a href="http://www.youtube.com/watch?v=-4Wxg7Ogww4" target="_blank">Angélica, Orquesta Alfredo de Angelis, Canta Juan Carlos Godoy, 1961</a><br />
<br />Konrad Krynskihttp://www.blogger.com/profile/13243226556189331620noreply@blogger.com0