Showing posts with label Francisco Canaro. Show all posts
Showing posts with label Francisco Canaro. Show all posts

Saturday, 28 July 2012

Francisco Canaro - Fast / Late Milongas


Orchestras: Francisco Canaro, Quinteto Pirincho

Singers: Ernesto Famá, Carlos Roldan, Instrumental

Period: 1938-1947

As time went by, the milongas of Canaro became faster and faster. In the period between 1932-1937 the speed was ranging from 76 to 90 bpm. 76 is rather slow (e.g. Milonga Sentimental), 90 starts to be reasonably fast (e.g. Milonga de Antańo). Suddenly in 1938 songs started to speed up and after that period they ranged from 96 bpm to 116 bpm (116 is a really fast milonga - e.g. Requebrada).

Personally, as a dancer, I like most of the songs recorded between 1938 and 1939. One can find amongst them "hits" like: Reliquias Porteñas, La Milonga de Buenos Aires, No Hay Tierra Como La Mía and many others... Similar to many other orchestras something changed in the beginning of  the 1940ies. The later milongas are less enjoyable and more difficult to dance.

DJ comment:

As written above, the milongas from the later period are very fast. For that reason they might not  be appreciated by some less experienced dancers. Milongas sung by Carlos Roldan are very good, playful but not very easy to dance. Quite many times I have seen dancers (even pretty advanced ones) leaving the dance floor in the middle of tanda.

So you'll probably need to be a bit more careful while playing the later milongas of Canaro, but still they should be in the repertoire of every DJ. There are lots of great songs to choose from.


Song examples:

Reliquias Porteñas, Orquesta Francisco Canaro, Instrumental, 1938
Bailan Javier Rodriguez - Geraldine Rojas
Bailan Javier Rodriguez - Andrea Missè
Bailan Sebastian Jimenez - Maria Ines Bogado
Bailan Fabian Peralta - Virginia Pandolfi

La milonga de mis tiempos, Orquesta Francisco Canaro, Instrumental, 1938, Bailan Sebastian Arce - Mariana Montes
Bailan Sebastian Arce - Mariana Montes, Version 2

Mi Buenos Aires, Orquesta Francisco Canaro, Canata Ernesto Fama, 1938

Milonga Brava, Orquesta Francisco Canaro, Canta Roberto Maida, Bailan Pablo Noelia
Bailan Sebastian Achaval - Roxana Suarez

La Milonga de Buenos Aires, Orquesta Francisco Canaro, Canta Ernesto Fama, 1939
Bailan Sebastian Arce - Mariana Montes


No hay tierra como la mía, Orquesta Francisco Canaro, Canta Ernesto Fama, 1939



Parque Patricios, Orquesta Francisco Canaro, Canta Ernesto Fama, 1940

Caran Can Fu, Orquesta Francisco Canaro, Canta Carlos Roldan, 1941, Bailan Oscar Mandagaran - Georgina Vargas

Serenata, Orquesta Francisco Canaro, Canta Carlos Roldan, 1944

La Naranja Nacio Verde, Orquesta Francisco Canaro, Cantan Carlos Roldan, Hector Castel, 1944

Se Dice De Mi, Orquesta Francisco Canaro, Canta Carlos Roldan, 1943

Arrabalero, Orquesta Quinteto Pirincho, 1950, Bailan Horacio Godoy - Cecilia Garcia

Wednesday, 13 June 2012

Francisco Canaro - Slow / Early Milongas



Orchestra: Francisco Canaro


Singers: Ernesto Famá, Roberto Maida, Instrumental


Period: 1933–1937



Compared to other orchestras, Francisco Canaro has the biggest collection of good quality, popular, enjoyable, playful and easy to dance milongas. I don't think anybody will disagree with this statement. There's a very high chance to hear at least one Canaro milonga tanda in every milonga. I personally love them and I never get bored with them.

There are so many great and famous songs I would like to share, that is the reason why I have decided to split Canaro's milongas into 2 posts. Once again, chronology and evolution of style of orchestras will help us. Earlier milongas are much slower than the later ones. Yet, they have great energy and they bring a lot of fun to the dance floor.

DJ:
A tanda of older milongas of Canaro is a great choice for any circumstance. They are appreciated by both beginners (slow, regular rhythm = easy to dance) and advanced dancers (if you know every single beat of a song you can make great things with the dance). Those songs can be played at any time during the milonga: early (when you don't want to take the energy too high wondering what to do next), in the middle (e.g. after some higher energy, fast tanda of tango) or late (when your dancers are already tired, those milongas will bring them back to the floor).


Song examples:


Milonga Sentimental, Orquesta Francisco Canaro, Canta Ernesto Famá, 1933
Bailan Mario Consiglieri - Anabella Diaz Hojman
Bailan Dani 'El Flaco' Garcia - Silvina Valz


Yo me llamo "Juan te quiero", Orquesta Francisco Canaro, Canta Ernesto Famá, 1934
Bailan Claudio Forte - Barbara Carpino

Negrito, Orquesta Francisco Canaro, Canta Carlos Galan, 1934, Bailan Maximiliano Gluzman - Mirta Tiseyra
Bailan Horacio Rodríguez - Lili Jammes

Larga Las Penas, Orquesta Francisco Canaro, Canta Roberto Maida, 1935, Bailan Rodrigo Fonti - Mila vigdorova
Bailan Fausto Carpino - Veronica Toumanova

Milonga Criolla, Orquesta Francisco Canaro, Canta Roberto Maida, 1936
Bailan Sebastian Arce - Mariana Montes
Bailan Chicho Frumboli - Juana Sepulveda

Silueta porteña, Orquesta Francisco Canaro, Canta Roberto Maida, 1936
Bailan Diego El Pájaro Riemer - Maria Belen Giachello
Bailan Ozgur Demir - Marina Marques

Milonga de Antańo, Orquesta Francisco Canaro, Instrumental, 1937, Bailan Gonzalo Orihuela - Solange Chapperon

Sunday, 27 May 2012

Francisco Canaro, Ernesto Famá




Orchestra: Francisco Canaro


Singer(s): Ernesto Famá


Period: 1930–1934, 1939-1941


Comment:
Similar to Canaro with Maida, between songs of Canaro with Famá you will find great hits, songs frequently played in milongas. The recordings happened in 2 periods of time: 1930–1934 and 1939-1941. My favorite song: Tormenta.


DJ:
If you are a DJ respecting strict rules concerning consistency in building tandas (same singer, same period of time) you will definitely want to distinguish between the 2 period, as songs sound quite different.


Song examples:

La Muchachada del Centro, Orquesta Francisco Canaro, Canta Ernesto Famá, 1932, Bailan Horacio Godoy - Alejandra Mantinan

Bernabé La Fiera, Orquesta Francisco Canaro, Canta Ernesto Famá, 1932

Yo no sé porque te quiero, Orquesta Francisco Canaro, Canta Ernesto Famá, 1934



Canto, Orquesta Francisco Canaro, Canta Ernesto Famá, 1934, Bailan Ozgur Demir - Marina Marques

Tormenta, Orquesta Francisco Canaro, Canta Ernesto Famá, 1939, Bailan Osvaldo - Coca

Algun Dia Te Diré, Orquesta Francisco Canaro, Canta Ernesto Famá, 1939
Bailan Marko Miljevic - Maja Petrovic

Mala Suerte, Orquesta Francisco Canaro, Canta Ernesto Famá, 1939

Mintieron Tus Labios, Orquesta Francisco Canaro, Canta Ernesto Famá, 1941

Francisco Canaro, Roberto Maida




Orchestra: Francisco Canaro


Singer(s): Roberto Maida


Period: 1935–1938


Comment:
The songs that Roberto Maida recorded with orchestra of Francisco Canaro are surely between the most popular tangos we are dancing today. You will find between them judged by many people the most beautiful tango: Poema from 1935.


DJ:
Between songs of Canaro with Maida you will find lots of material for great tandas. Dancers at all levels appreciate them. Be careful about the level of energy, as most of the songs are quite slow. One of the favorite topic for DJ discussion: what do I play Poema with? For you to answer :)


Song examples:


Poema, Orquesta Francisco Canaro, Canta Roberto Maida, 1935
Bailan Chicho - Eugenia Parilla
Bailan Osvaldo - Coca
Bailan Murat Erdemsel - Michelle Erdemsel
Bailan Ricardo Vidort - Liz Haight
Bailan Javier Rodriguez - Geraldine Rojas

Solo Una Novia, Orquesta Francisco Canaro, Canta Roberto Maida, 1935

Ciego, Orquesta Francisco Canaro, Canta Roberto Maida, 1935

No Hay Que Hacerse Mala Sangre, Orquesta Francisco Canaro, Canta Roberto Maida, 1935

Ojos negros que fascinan, Orquesta Francisco Canaro, Canta Roberto Maida, 1935

Envidia, Orquesta Francisco Canaro, Canta Roberto Maida, 1936

Invierno, Orquesta Francisco Canaro, Canta Roberto Maida, 1937
Bailan Pablo Rodriguez - Noelia Hurtado
Bailan Ismael Ludman - Maria Mondino

Paciencia, Orquesta Francisco Canaro, Canta Roberto Maida, 1938
Bailan Claudia Rogowski - Matias Facio
 

Francisco Canaro - Overview





Francisco Canaro is probably the biggest (in terms of number of recordings) tango orchestra in the history. I will not even try to cover the complete work of Canaro in this blog. I will concentrate on parts that in my opinion are interesting for dancing and DJ-ing. To better understand the evolution and different music styles I have divided the information into the following sections:

Early Instrumentals
Early Singers
Ernesto Famá
Roberto Maida
Francisco Amor, Carlos Roldán, Eduardo Adrián
Quinteto Pirincho, Quinteto Don Pancho
Late Instrumentals
Late Singers

For detailed biographical information please go to:
Todo Tango - Francisco Canaro

For the best discographical information please go to Christoph Lanner's page:
Discography of Francisco Canaro