Edgardo Donato - Milongas

In my previous post I have written a little bit about the theory of the milongas and one possible way of categorizing them. Now it's time to get more into practice:). I'm quite sure that Donato's milongas are in the top 3 most frequently played milongas in Europe (with Canaro and d'Arienzo). The songs have a very warm and soft tone, which has probably quite a lot to do with the voice of Horacio Lagos and the use of the accordion.

The milongas of Donato are very playful and one never gets bored with them. Every time I hear  them, I immediately look for a partner to dance. While dancing, I always smile :). Very often I add some spice to the dance by doing some "extras" (e.g. special pause, change of level, etc...) - The music provides lots of opportunities to do them. Very often experienced followers who know the music well, expect those "extras" and to surprise them.... I don't do anything. It's a great game to play!

Amongst the songs you'll find quite a big variety in terms of speed. The slowest songs (El Torito, Papas Calientes or El Lengue) start with 80 bps. The medium speed songs are the most famous and popular ones (e.g. Ella Es Así or Porteña Linda). The fastest songs have really great energy: the most famous is surely La Milonga Que Faltaba.

Enjoy listening and .... dancing :)

Song examples:

Slow milongas:
El Torito, Instrumental , 1939
Papas Calientes, Instrumental, 1937
El Lengue, Instrumental , 1940

Medium speed milongas:
De Punta A Punta, Canta Horacio Lagos, 1939
Ella Es Así, Canta Horacio Lagos, 1938
Porteña Linda, Canta Horacio Lagos, 1940
Sácale Punta, Canta Horacio Lagos, Randona, 1938

Fast milongas:
Campo Afuera, Canta Horacio Lagos, 1940
Milonga Que Faltaba, Canta Horacio Lagos, 1938, Baila Loukas Balokas - Georgia Priskou
Repique Del Corazón, Cantan Horacio Lagos, Romeo Gavio, 1941